April Is Indigenous Comix Month!
Perhaps the first point of note is that Indigenous people have never lacked for sheer presence in comics, per se. As can be seen in our feature banner, stereotypical depictions of a mythical–indeed magical–“noble savage” have graced many a pulpy page for decades. Just as popular are protagonists who are in fact white, who have adopted a “native way of life,” insofar as the white creators were able to perceive what that even is. This month, we’ll be looking at that history, and how the example of Indigenous representation in comics can perhaps demonstrate how the question of diversity in the comics community is a little trickier than simply “diversifying” the characters…
Rebranding Canada with Comics: Sean Carlton looks at the new "War of 1812: Forged in Fire" and the Continuing Co-optation of Tecumseh
"Arctic Dreams & Nightmares"--Into the Art of Alootook Ipellie
We interviewed James Waley, comics creator and editor of the ONE TRIBE comics anthology helping to fundraise for First Nations schools!
"Extraction! Comix Reportage" Investigates the Canadian Mining Industry's Impact on Indigenous communities at Home and Abroad
An Interview with Lee IV of the Indigenous Narratives Collective!
Taking a Critical Look at the Vertigo Series "Scalped"
DC Comics Releases New Superhero Inspired by Indigenous Youth Activist Shannen Koostachin
Comment: I wouldn't say any of these articles are must-reads. But they show some of the diversity in today's Native comics. Especially in Canadian comics, which don't have much visibility here in the US.
For more on the subject, see The Best Indian Comics.
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