But the English sounds as stately and straightforward as the Tlingit, leaving a lot of the play's inflated personality and supernaturalism oddly flat. Waid doesn't seem deeply troubled by Macbeth's deadly rationalizations and second-guessing, and Ekatrina Oleksa/Arrsamguq's rallying speeches as Lady Macbeth are similarly earnest and simple. You get the gist of the play, but not the juice.

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