Responses courtesy of “A Year in Mooring” director Chris Eyre.
Using images to delve into the past…
I became a filmmaker when I started taking pictures as a teenager. I photographed everything—people, animals and many landscapes. I didn’t know why, but as a Native-American adoptee, I first started looking at all the historical photos of my own tribe in high school and tried to figure out who all these distant relatives might be. I especially loved the historical photos by Edward Sheriff Curtis. I found out later that my great, great grandfather on my Cheyenne-side was photographed by Curtis in 1899. His name was “Cohoe/Nohoe” or “lame man” (due to a bad leg). By using images, I was trying to go back somewhere and understand more of who I was or who my biological people were that I had lost.
My new movie “A Year in Mooring” uses landscapes as atmosphere to help tell the characters stories. Those are the type of movies I like best, one’s that could come from a lost photograph.
In the pipeline…
A remake of the 1983 movie “Running Brave” that follows the true-life story of Native American Olympian Billy Mills from his time growing up on the Pine Ridge Indian Reservation in the 1950s to becoming the only American to win a Gold Medal in the 10,000 meter long-distance race at the 1964 Tokyo games. To this day, his victory is described as one of the greatest moments in Olympic history.
Maybe we'll actually have a real Indian play Mills this time?
ReplyDeleteAnd don't forget this earlier coverage of the filming
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