November 23, 2009

Why Thanksgiving pageants are wrong

No Playing Indian at Thanksgiving

By Nicki HeskinYoung children take school lessons as truth. If kids make a construction paper vest and headdress and are told they are dressing as Native Americans, they believe us. If kids are told that relations between Native Americans and colonists were friendly and cooperative (without the rest of the story), they believe us. While we as adults may understand these costumes or stories are incomplete or representative, kids do not. I'm not saying we should be creating authentic clothing or re-enacting bloody wars. My point is that since we can't and don't, then we shouldn't continue teaching the myth as truth.

As a result of all this, in my opinion, dressing as and "playing Indian" in school, certainly as a school sanctioned (taught!) activity is inappropriate. Not only is there no *one* native culture that can be emulated, but there is simply no other curriculum that allows or permits this sort of behavior. Would we ever send Kindergartners to school dressed as black field hands to learn about slavery? And if we did, would we do it with construction paper hats and clothing? Would we ever dress kids up as German Nazis (in lederhosen?) and Jews (in prayer shawls and curls?) to learn about the Holocaust? And if we did, would we call parents who objected "oversensitive?" Would we then stage a dinner party with these kids dressed as Germans and Jews set before World War II as an example of how these two groups once ate and lived together so nicely, and ignoring what happened next? It's absurd to even suggest it.
Heskin's conclusion:I'm not sure I'm ready for my Kindergartner to learn about genocide in school, and the story is somewhat disingenuous and incomplete without it, so my vote is to wait a bit. Instead early education should and focus on the *current* meanings and cultural celebration of Thanksgiving--family, community, giving and gratitude--with the historical aspect removed.Comment:  As you may recall, there was a big controversy over a Thanksgiving pageant in Claremont, California, last year. Check it out to see the anti-Indian scorn and hatred behind these pageants.

Don't think an innocuous Thanksgiving pageant involves scorn and hatred? Here's what a lot of Americans are thinking about Indians:We know our people conquered your people. We weakened them with disease and alcohol, broke the treaties we signed with them, and forced them into barren lands little better than concentration camps. When they tried to fight back, we hunted and killed them like animals.

But we don't like to think about that. We prefer a guilt-free version of history in which the Europeans and Indians were friends. You invited us into your homes and made us feel welcome. We worked together to found this country of ours and celebrated it with a great feast.

That's our story now and we don't want to hear any other. Don't you dare contradict our national myth or we'll get angry. We let you live in our country and gave you casinos, but don't put on airs and think you're equal to us. This is a white Christian nation now and you're still heathen savages.
If you don't believe it, try protesting a myth-making Thanksgiving pageant as Michelle Raheja did. Let us know what happens. I'm guessing you'll experience the same scorn and hatred she did.

For more on the subject, see Kids Reenact First Thanksgiving.

Kegedonce Press publishes Natives

Kateri Akiwenzie-Damm:  Our voices are marginalized

By Mark Anthony RoloFor nearly a decade Kateri Akiwenzie-Damm has remained fiercely committed to publishing the works of Indigenous poets and fiction writers.

As the founder and managing editor of Kegedonce Press, Kateri has to be an aggressive advocate for broadening the literary landscape in order to promote the work of her writers.

That is the way Kegedonce has had to do business from day one. Publishing has been a financial and cultural struggle for Kateri’s company to earn a decent share of the market because she believes the mainstream publishing industry continues to marginalize the voices of Indigenous writers as “fringe” or “niche.”
How she got started:In many ways the decision to create a small press that would be exclusively devoted to publishing Native writers of North America was based on the dismissive perceptions and practices by the industry. In 1993 Kateri, who is a mixed blood Anishnaabe, was inspired to invest in a publishing venture while attending an Indigenous arts conference in Ottawa, Canada.

As a poet and activist for Indigenous rights, Kateri found a diverse group of Native writers who were eager to tell their own stories, but feared rejection from mainstream publishers they believed would not understand or “get” their interior worlds. She also found many talented writers who gave up on submitting their work to mainstream publishers because they did not feel non-Native editors believed they could make a decent profit selling their work.

With a few thousand dollars in the bank, Kateri wanted to do more than publish books that would sit on shelves or coffee tables. Her decision to create Kegedonce was intensely fueled by the desire to support and build Indigenous communities by giving voice to an oppressed population.
The kind of work she favors:A strong sense of one’s cultural understanding that is either traditional, modern, urban or rural is the start of literary appeal for Kateri. “I’m also drawn to innovative works that kick at the boundaries of what Aboriginal or Indigenous literature and publishing are expected to be–that’s why we’ve published a number of firsts, such as the first Aboriginal fantasy trilogy and the Indigenous erotica anthology.”

One of only three publishers of Indigenous writing in North America, Kegedonce is the only publisher that makes poetry a high priority. Besides being a poet, Kateri believes that many young Native writers get into writing through poetry. Publishing can be considered daring given the number of mainstream publishers that have stopped printing the literary form.

The decision to publish work considered to be offbeat, surreal and loaded with plays of tribal mythology might be seem like a reason why it is very difficult to get support from potential funders.
Comment:  For information on another Native press, see Chickasaw Press Recognized. For more on Native literature in general, see The Best Indian Books.

Below:  Fight the power, Kateri!

Twilight reflects sick society

Correspondent Melvin Martin (Lakota) comments on the whole Twilight phenomenon:As a long-time, completely dyed-in-the wool horror movie fan, I find the "Twilight" saga to be at best a major insult to all true fans of the genre.

To mindlessly merge a classic horror theme, vampirism, with the vacuous, sickeningly sweet, pink-polka-dotted, cream-puff stuff of romance novels is nothing short of total cinematic blasphemy.

"Twilight" is not only phenomenally popular among the quivering, shivering pre-teen and teen set, but legions of older gals (30- to 60-year olds) are enthralled to no end also.

This is indeed an extremely sad commentary on the quality of life these days as millions of adult American women are so deprived of romance and love that they even line up hours in advance of this movie's showings and often sleep outside like homeless waifs--all to get less than a minnow's mouthful of what they crave so damned badly.

"Twilight" is no more than a snake oil-based salve for a sick society.
Comment:  I think Melvin Martin has a point here. Twilight isn't just about escaping into a fictional world for a few hours. The whole premise is based on escapism. Become a vampire...isolate yourself from real people...don't get involved in political or social issues. Flee into an eternal dreamland of passion and romance where you don't have to think or act.

In other words, it's like a fictional version of alcohol or a drug. You take a hit of Twilight so you don't have to deal with real life. Daydreaming about half-naked hunks becomes the only high you need.

Of course, you could say this about any fanatical set of fans. But at least Star Trek and Star Wars fans tend to be advocates for science and space exploration. What do Twilight fans stand for...anything?

For more on the subject, see Melvin Martin Reviews New Moon and Quileute Werewolves in Twilight.

Below:  "We Quileute werewolves just like to fight and hunt. Don't look to our Indian culture for environmental stewardship, a sustainable economy, and other solutions to the world's problems."

The Red Road hits the airwaves

A posting from Arigon Starr on Facebook:

The Red Road Hits The Airwaves!Hey y'all:

I'm so excited to let folks know that my one-woman stage play "The Red Road" has been adapted for radio. The folks at the Native Radio Theater and Native Voices at the Autry brought together a fantastic crew including live sound effects artist Tony Palermo and award-winning BBC director/producer Dirk Maggs to the Nebraska Education Television Studios back in July 2009. Under the kind guidance of directors Randy Reinholz and Dirk Maggs, lovely Jean Bruce Scott, my pals at NAPT (Shirley Sneve, Eric Martin, George Lee, John Gregg), plus the amazing Wacky Productions' CEO/Producer Janet Miner--"The Red Road" is now a radio play! Woot-woot-yeah!

The show has already aired on KUNM-FM in Albuquerque/Santa Fe and on KRGS-FM in Claremore/Tulsa. More airdates are being added and I'll make sure you know about them as I get them.
Comment:  For more on the subject, see The Red Road on the Radio.

Below:  "Backstage at the NET in Lincoln. I had to get Desmond Tsinajinnie's voice just right....AAAY!"

Rocky Boy payday loan company

Rocky Boy online company seen as economic development tool

By Tim LeedsThe Chippewa Cree Tribe of Rocky Boy’s Indian Reservation has started a new business in an effort to stimulate economic development. Dan Belcourt, attorney for the tribe, said during a conference call with the Havre Daily News Oct. 22 that last spring it entered the world of Internet loans with PDL Ventures, an online payday loan company. In the online loan process, people can fill out an application via the Internet, which includes supplying their bank account information. If approved, often in 24 hours or less, the loan is deposited in the bank account and the repayment—usually with a hefty fee—is withdrawn by the loan company on the applicant’s next pay day.

What the Tribe says it didn’t know was that other online companies already were operating with the abbreviation of pay day loan in their name. Several PDL Ventures are offering online loans and some of them don’t have the best record in customer service. Numerous complaints have been filed that have led to 119 complaints eventually being attributed to the Rocky Boy business by the Better Business Bureau. Neil Rosette, the tribe's executive administrative officer, said during a conference call Oct. 23 that he believes most of the complaints were filed against businesses other than the Tribe’s—especially since their business has only been in operation for about six months, and some of the complaints were filed more than a year ago. Rosette said the Tribe will work to resolve any problems in customer service and is assigning a full-time position the responsibility of answering those complaints.
Comment:  A payday loan company doesn't sound like the best way to spur economic development. But it's a legitimate business, I guess.

Kids reenact first Thanksgiving

Kids Reenact The First Thanksgiving With Smallpox Blankets And Whiskey (VIDEO)How did the Pilgrims celebrate the first Thanksgiving? According to these adorable young history buffs, with blankets covered in smallpox. While it may appear that these kids are simply playing dress-up, their reenactment is pretty true-to-life, and includes hilarious depictions of The Pequot and King Philip's War. At the end, the Pilgrims give parting gifts to their Native American friends: whiskey, keys to a pickup truck, and of course, more smallpox.

Comment:  The smallpox-blanket incident didn't happen during the first Thanksgiving in 1621. If it happened at all, it happened during the 1760s. But there's only one letter suggesting the possibility, and no evidence it ever happened.

For more on the subject, see Thanksgiving in After the Mayflower.

November 22, 2009

Why New Moon's werewolves go shirtless

“Twilight: New Moon” stars and filmmakers talk shirtless scenes“I wish I could take credit for the moments of Jacob pulling off his shirt and Edward pulling off his shirt. They are in the book and it seemed unwise to leave them out,” said screenwriter Melissa Rosenberg at the recent “New Moon” press day at the Four Seasons Hotel, referring to Stephenie Meyer’s best-selling second “Twilight” novel, “New Moon.”

“That would be a cut that you would regret,” added director Chris Weitz. “I like to say it’s all essentially economics. You see, the Quileutes don’t have very high average income and they can’t afford the T-shirts they would need, given the amount of times they turn into wolves on short notice and their clothes burst. So, really, they’d have to go to Walmart every 10 minutes. They just go around in shorts for that reason.”

Jacob and his fellow werewolves are all part of the Quileute Indian tribe. Some tribe members have the genetic ability to transform to wolves with lightning-quick speed, shredding their clothes in the process. They also have a body temperature of 108.9 degrees, so clothes aren’t a priority despite the chilly weather in Forks, Wash.
Comment:  Weitz's explanation is phony and disingenuous. Here's why:

1) Why doesn't the Wolf Pack worry about their pants as well as their shirts? Going by Weitz's reasoning, they should walk around naked to avoid ripping anything.

2) T-shirts are perhaps the cheapest form of clothing ever. They're much less expensive than pants--even shorts--which have stitching, pockets, buttons, and zippers. A cost-conscious werewolf would wear a t-shirt and no pants, not the other way around.

And what about their shoes, which are even more expensive than pants? We see Jacob and Paul exploding their sneakers in the trailer. Is the Quileute tribe getting free shoes from Nike, or is Weitz's explanation a crock?

3) Clark Kent manages to remove an entire suit before flying to the rescue as Superman. Most superheroes take a few seconds to change into their costumes. Why don't the werewolves take a couple seconds to remove their t-shirts rather than destroy them?

4) Werewolves have a high body temperature? They're also 6'7" or thereabouts. If you're concerned about making them less beast-like and more human, you can change their temperatures as well as their heights.

Incidentally, one website says wolves have a body temperature of 100.4-102.2 degrees Fahrenheit. Why did Stephenie Meyer give her werewolves a much higher temperature? Because then she could portray them as hot-blooded (literally)...half-naked...savage!

The real reason

Weitz might as well tell us the real reason. The Twilight people are selling hot young men and women engaging in illicit relationships. This is enhanced when the hunky guys go shirtless. Man up, Chris, and admit you're make softcore entertainment for teenage girls and gay men.

Summarizing and translating Weitz's claims: "Indians are too poor to afford shirts. Indians are too animal-like to need shirts. Because of these two unrelated excuses, we'll darken their skins and film them half-naked just like we did 100 years ago. That way, they'll look more like the savages audiences expect."

For more on the subject, see Wolf Pack Shows Savage Side and Quileute Werewolves in Twilight.

Are fierce Native werewolves okay?

Indians have "nothing human except the shape," Washington wrote: "...the gradual extension of our settlements will as certainly cause the savage, as the wolf, to retire; both being beasts of prey, tho' they differ in shape."

Francis Jennings, Empire of Fortune, 62; Richard Drinnon, Facing West, 65, citing a Washington letter of 1783
Someone asked what's wrong with portraying Indians as "fierce" if they're locked in an age-old battle with mortal enemies. E.g., the werewolves fighting the vampires in the Twilight saga. Answer: I don't care what the context is, "fierce" is one-dimensional by definition. Nobody is fierce and nothing else--except maybe the indigenous savages in any old Western or Indiana Jones-type movie. These subhuman creatures are fierce precisely because, well, they're subhuman creatures.

Really, you can get away with portraying aliens (e.g., War of the Worlds, Alien, Predator), animals (e.g., The Birds, Willard, Arachnophobia), or machines (e.g., Terminator, Berserker, the original Battlestar Galactica's Cylons) as fierce, unrelenting fighters and killers. But human beings? No. If Jake La Motta (Raging Bull), the Punisher, or Hannibal Lecter has more than one side, everybody does.

Does "fierce" define a warrior?

If you think warriors are defined by their ferocity, look at any good war movie about American soldiers. Sure, the soldiers are fierce when they have to fight. But they also exhibit a range of other traits: curiosity, generosity, eagerness, skepticism, anger, cowardice. Especially strong are the emotions of doubt and fear, because--in case you haven't heard--war is hell. Real soldiers don't want to fight fiercely because they could get shot or blown to pieces.

Maybe traditional Indians looked forward to fighting and killing, though I wouldn't bet on it. The whole idea of "counting coup" was to prove one's bravery without killing one's foe. I.e., by using skill, not savage ferocity.

In any case, modern people generally don't look forward to fighting and killing. That includes modern Indians such as Twilight's werewolves. Any movie that portrays Indians as primarily fierce is stereotypical.

For more on the subject, see Are Good Native Werewolves Okay? and Quileute Werewolves in Twilight.

Below:  The first Indians encountered by the English in the 1600s and Indians encountered in the movies today. Two eras of Indians as predatory, wolfish savages.

"Crush! Kill! Destroy! We're Indians/robots/aliens!"


Melvin Martin reviews New Moon

Correspondent Melvin Martin (Lakota) reviews New Moon, the latest Twilight installment:It's a totally nonsensical, flat-lined chick flick that is infinitely worse than even that all-time stupid travesty "Serendipity," in that at least well within that wreck of a movie there was a tangible amount of soul to be felt.

But, on the plus side for the movie's producers, the "Sex in the City"-plasticized, pseudo-studly, abnormally pumped-up, and just obscenely fake physicality of the two male leads is setting hearts aflame from Fire Island to Castro Street--a prime demographic for the "Twilight" series.

This unintentionally hilarious homo-erotic subtext was not lost upon the hostage male members of the audience as whenever the copious amounts of so-called "beefcake" flashed on-screen there was a very noticeable rise in the loudness of the boos, hoots and yells that emanated from all of the "regular guys" who were forced to accompany their starry-eyed dates to this wholly laughable waste of time and money.

That this film absolutely, criminally sucks is a grand understatement due to the slow, slow over-all sequencing of the key scenes, the gruesomely boring nature of the three main characters, and the weakly structured plot, that hardly qualifies as a plot at all.

Movies like this should come with a strongly worded caveat, something like: let the theater-goer beware.

I don't know if it was the god-awful effects of watching what was essentially a teen-oriented remake of the Three Stooges caught up in one of their bizarre love triangles, with a psycho-killer Shemp setting things up for a third installment--or the large-sized sack of stale popcorn that I wolfed down out of sheer boredom--but upon exiting the movie house I cut the longest, loudest fart of my life.
Comment:  From what I've heard, Melvin Martin comes from a macho environment and is rather macho himself. Interesting to see that he has no use for this female-oriented movie, even though it features Indians as fierce werewolves.

True, the characters play at being tough and macho, but they're clearly pretty boys pretending to be warriors. Apparently that isn't enough to persuade a real Indian activist.

For more on the subject, see Capsule Reviews of New Moon and LA Times Reviews New Moon.

IndiVisible responds to Freedmen issue

Maybe Your Great-Grandmother Really Was Cherokee

A new exhibit at the National Museum of the American Indian traces black-Native American relations from the 1500s to the present.

By Kenneth J. Cooper
Overall, African-Native American relations are cast in positive terms, a perspective that feels right. It’s certainly the view of most black folks, based on all those family stories, true or not. The Cherokees of today are out of step with the tolerant, humanist traditions of Native Americans who historically “adopted” people of other races and treated them as equals.

The exhibit traces the contacts between African Americans and Native Americans from the 1500s to the present, leading to the interracial unions that produced “Black Indians.” Some big-name people with that mixed heritage pop up: Crispus Attucks, Langston Hughes, Zora Neale Hurston, Jimi Hendrix and John Hope Franklin.

On a broader scale, so much mixing of red and black occurred that the bloodlines of some tribes became racially “indivisible.” They include the Lumbee of North Carolina, the casino-owning Mashantucket Pequot of Connecticut, the Mashpee Wampanoag of Massachusetts, the Seminole of Florida and then Oklahoma. “Most Native peoples on the Atlantic seaboard,” the curators conclude, “have African-American and white ancestry.”

A visitor gets a clear sense that the leaders of the National Museum of the American Indian, which collaborated with the Museum of African American History and Culture, wanted to put the conflict over the tribal rights of Cherokee Freedmen into a broader perspective.
Comment:  For recent news on the Freedmen issue, see Glover Supports Freedmen, Cherokee PR or Propaganda, and Obama Opposes Punishing Cherokees. For more on the IndiVisible exhibit, see Preview of IndiVisible and IndiVisible at the NMAI.

Indians commemorate Alcatraz anniversary

Indians return to Alcatraz 40 years later

By John KingThe Park Service was not involved in organizing the morning-long ceremony to commemorate a 19-month event that remains a keystone in the turbulence of the late 1960s and early '70s. Nor was the ceremony linked to other events related to the anniversary, including an academic conference in Berkeley held last Friday and plans to project a movie about the occupation onto Coit Tower on Thanksgiving.

But where the government 40 years ago was the enemy--and in June 1971 removed the last of the occupiers--the Park Service Saturday provided free ferry rides for the participants. Once on shore, rangers loaded folding tables onto a pickup truck along with refreshments brought to the island by the organizers.

Later, while the 50 or so participating in the ceremony chanted and prayed, rangers walked back and forth behind them bringing out folding chairs.

The event was organized by Nila Northsun, whose father was one of the occupation's initial leaders, and Lorenzo Baca, an "artist-activist" from the Central Valley.
Comment:  Lorenzo Baca was an early supporter of PEACE PARTY. He was also the center of this controversy: Native Enters Off-Limits Roundhouse.

For more on the anniversary, see Alcatraz Changed Course of History? and 40th Anniversary of Alcatraz Occupation.

Below:  "Lorenzo Baca (center) leads a procession of Indians and supporters to the ceremony." (Photo: Paul Chinn/The Chronicle)

$25K award for Shin-chi's Canoe

Residential school story wins $25K kids' book awardShin-chi's Canoe, a picture book about a little boy leaving home for a residential school, has won the $25,000 TD Canadian Children's Literature Award.

It was one of four children's books awarded prizes Thursday night at the Children's Book Centre in Toronto.

Shin-chi's Canoe, written by Nicola I. Campbell of Vancouver and illustrated by Kim LaFave of Roberts Creek, B.C., is one of the first picture books to explore the story of the impact of Canada's residential schools on children.

The six-year-old boy Shin-Chi leaves home with his older sister Shi-shi-etko, who explains to him that it will be many months before he is allowed to go home. The book captures the emotions of the two children as they miss family and the natural environment where they grew up.
Comment:  For more on the subject, see The Best Indian Books.

Below:  "Shin-chi's Canoe is written by Nicola I. Campbell and illustrated by Kim LaFave." (Groundwood Books)

Three awards for The Only Good Indian

'Only Good Indian' sweeps awardsA film by a University of Kansas faculty member has won three top awards at the 34th annual American Indian Film Festival in San Francisco.

Kevin Willmott, associate professor of film and media studies, won best director on Saturday for his latest film, "The Only Good Indian." The film also received awards recognizing the performances of Wes Studi, best actor, and Winter Fox Frank, best supporting actor.
Comment:  For more on the subject, see The Only Good Indian Interviews and The Only Good Indian = History Lesson.

November 21, 2009

King Lear as The Last of the Mohicans

King Lear“How sharper than a serpent's tooth it is to have a thankless child!”

This manga version of King Lear is set during the era of The Last of the Mohicans--circa 1759, during a crucial era of invasion and displacement along the American frontier. Lear is a venerated Mohican (Iroquois) chieftain, entering his final days. His elder daughters Regan and Goneril–-the evil pairing–-are more westernised in their looks. Lear’s youngest daughter, Cordelia, with her Native American appearance, is the lone traditionalist who cleaves to the old ways.

In this unique interpretation of Shakespeare’s tragic tale, a mighty mountaintop snowstorm for the signature setpiece makes for a dramatic backdrop where savage torture and plentiful scalpings provide and update Shakespeare’s bloody action.

"A book that's uncategorisable. King Lear is done as The Last of the Mohicans in the style of Japanese manga. The publisher has been criticised for playing it safe with its adaptations of the classics. This one is by no means safe and all the better for it."

Roger Sabin, The Observer (August 2009)
"Ilya's unique vision stands as an alternative take on the original story, shaking up the established reading of the play and asking readers to rethink their ideas about the characters and their situation. A sense of doom is created simply by casting Lear as a Native American pitted against the encroaching forces of the western world, and this in turn makes the ending yet more inevitable and tragic....This gripping adaptation brings to the table a totally unique way of looking at this classic story, and is well worth a look."

Amanda Young, NEO Magazine (July 2009)
Comment:  This sounds like a great idea in theory. But the execution is at least somewhat stereotypical.

Start with the "savage torture and plentiful scalpings." These might have been part of Mohican culture--or they might not have been. Even if they happened, you'd have to pair them with the cultural and religious context to paint a full picture.



King Lear with a blood-red face and blue hair? This doesn't look like any Indian I've ever seen. Except a stereotypical Indian mascot, of course.



A typical Indian princess in a sexy buckskin outfit. Note the tiny nose, the lack of cheekbones, the scallops over the breasts, and the slit on the left side. This is a non-Indian's fantasy of an Indian sex object, not a real Indian woman.



What the heck is this dancing figure at left? A wolf's head, raccoon eyes, deer antlers, bear skin, and beaver tale?! I'll go out on a limb and guess that neither the Mohicans nor anyone else had such a ceremonial figure. It looks like a pure invention to make the Indians look more savage and superstitious.

Also, how does the raccoon-wolf mask lose the antlers and the round mask gain the antlers in panel five? Oops.

The interior version of King Lear--an elder in a headband--and the warriors in the other panels look decent. So the work seems only partly stereotypical. People should read it with that in mind.

For more on the subject, see King Lear with Eskimos and Comic Books Featuring Indians.

Native aspects of New Moon

Correspondent DMarks has seen New Moon and gives us the lowdown on the movie's Natve aspects:There's probably nothing that can be said about it that you haven't already covered extensively.

Just a few things to add:

  • The only outright racial thing I saw (aside from any issues of young Native men being half-naked savages, connected to animals, etc.--well-covered in your other posts) was when Bella made a comment to Jacob about spending time with the palefaces. I do not remember the exact sentence the word was in.

  • I didn't think the "Wolf Pack" came across in a fakey bronze tone like I would have suspected from the publicity photo. However, they did stand around in all weather with just ragged cut-off pants. But unlike the Hulk's pants, their pants explode into shreds when they wolf out.
  • Yes, but did New Moon show them changing from wolves into (naked) humans? I'm sure the girls would've loved that. <g>

    The bronzed skin may look worse in the publicity photo because the photo is unnaturally dark. In the wan light of the Pacific Northwest, it may look washed out and almost natural.

    Being impervious to the weather is a corollary of being a savage, of course. Half-naked Indians rarely if ever shiver from the cold.

    Let's recall that in the books, Jacob is 6'7" and the other werewolves are almost as tall. In other words, they're that much closer to being man-monsters. By making them normal height, the movies have downplayed the books' stereotypes.
  • Jacob Black had a tattoo that seemed to be designed in what I would understand to be an authentic Northwestern US Native style. Such artwork also appeared on the refrigerator in a home at the La Push rez. This brief appearance of something authentic-looking is in line with the "Thunderbird and Whale" with its Native proprietor, which appeared in the first movie. It's a touch of authenticity made for the movies, and not for the books.

  • There was nothing distinctive about the La Push rez. It was just a regular place with a few normal-looking homes. No casino, no abject poverty. The stereotypes of Tonto-speak and layabout drunken Indians in dysfunctional families seem to be long in the past, but the "special connection to animals" and the shirtless savage warrior ideas abide.
  • Of course, New Moon could've done more to show modern Quileute life and culture, but I understand that wasn't the movie's focus. What it did show--the tattoo and the normal rez--sounds good.

    For more on Twilight's depiction of rez life, see Stephenie Meyer's Use of Quileute Characters.
  • The non-authentic Quileute legends were only briefly touched upon by having flashbacks to scenes from the first movie. While the next movie, Eclipse, may compound the errors of the wrong legends, New Moon did not really dig the hole deeper.
  • Additional points gleaned from the news:  Most mainstream reviews have said the wolf effects weren't impressive. In the trailer, the wolves look like decent CGI creations, but nothing more. I doubt anyone will mistake them for real wolves.

    For more on that subject, see How Animators Tackled Werewolf Transformations in New Moon.

    On the bad side: Jacob is "not helped any by the cheap wig he wears for half the movie," according to the McClatchy Newspapers' review. It's as if it took the filmmakers that long to realize how phony the hair looked.

    The Wolf Pack's primary scene shows them fighting among themselves. Paul (Alex Meraz) gets angry and turns into a wolf to attack Bella, and Jacob (Taylor Lautner) does the same to defend her. In other words, Indians are like beasts who can barely control themselves. They're far from the great tribal leaders who fought their battles with words and ideas, not arrows or claws.

    On the good side: Jacob speaks a few words of genuine Quileute, according to 10 Things You Need to Know About Taylor Lautner:In New Moon, Jacob speaks Spanish to Bella, and even some Quileute, the language of the American Indian tribe he belongs to. He says, ‘I did speak a little bit of Quileute, when I was leaning in to kiss Bella in the kitchen, and I’m not gonna tell you what I said. I’ll leave that to you to figure out. But it was really cool. There’s only, like, four people left in the world who actually speak Quileute, so I was able to talk to one of these ladies. It was really interesting.’In short, New Moon is about what I expected. I'm still waiting to hear about a scene where the Indians solve a problem with brains, not brawn. You know, by outfoxing an opponent rather than outfighting him? Because traits such as stealth, tracking skills, strength, and ferocity are all part of the savage warrior stereotype.

    For more on the subject, see Capsule Reviews of New Moon and Media Doesn't Know Quileutes Are Real. For more on Twilight in general, see Quileute Werewolves in Twilight.

    Below:  "I'm a civilized Indian with a long history of religion, culture, and art. No, really!"

    Tinsel Korey = Harsha Patel?

    Another person claims Tinsel Korey isn't Native--this time with photo evidence to back up the claim:

    Welcome to Harsha PatelTwilight is one of the biggest films right now, most of the stars from this movie were beginning actors and now they are A-list stars. Among the most famous in the World. Robert Pattison and Kirsten Stewart are household names.

    New Moon, the second film of the 4 book series is coming out on November 20th. One of those stars is none other than Tinsel Korey, a Canadian actress who has been in such films as Steven Spielburg's Into the West, Tin Man and The Lookout. She has been slowly climbing the ladder of fame, and now she is is portraying Emily Young in New Moon.

    Tinsel Korey. Proud Native Canadian.

    Harsha Patel. Embarrassed East Indian.

    What do these two have to do with each other?

    They are the same person.

    She was born Harsha Patel to a wealthy doctor and his wife in Ontario, but an estrangement from her family, a move across the country after graduating from William Lyon Mackenzie CI she gave herself a new name, and background (claims she is Ojibway), all fueled by ambition. The movie industry is not easy to break into, there are more doors closed than opened, but Harsha saw what she felt was a loophole. She decided to do what many other people have done to aboriginals in Canada and North America, and that was to exploit them for her own chance at fame. Rather than using her own Indian heritage and drawing on Hinduism for support, she instead rewrote her background to Native America, believing that she could garner more roles.
    Why this matters, again:Her part is small, but it’s a role that was stolen from a true blooded aboriginal woman….A commenter in another posting makes the same claim about Korey's being Patel:Anonymous said...

    great stuff! what tribes is Tinsel tied to? From what I've read she's done a lot of work in the Native side of the industry.

    Anonymous said...

    She started implying Cherokee in about 2005, then Ojibwe, Mohawk, and now claims Anishinaabe. She also claimed she was adopted at 2, then as an infant, and implies that her step family are Jewish-Russian--claiming that her real parents were hippies in explanation of the name she gave herself as a teenager. She was in fact born and raised Harsha Patel to East Indian parents on 25 March 1980 so there aren't too many groups of people left for her to trivialize, appropriate from or insult.
    Comment:  As a reminder, I don't know the truth of this claim. That's why there's a question mark in the title.

    The picture apparently is from Patel's high-school yearbook. It's labeled "Grade Twelve/O - A - C" at the top.




    Unfortunately, the picture only resembles Korey. I wouldn't say it's a conclusive match.

    Also, let's note that Ojibwe is a variation of Anishinaabe. Switching from one word to another is the same or a similar claim, not a brand new claim.

    Therefore, I'd say the question is still up in the air. We're still waiting for definitive proof one way or another.

    But Korey's refusal to address the issue remains suspicious. Most Natives are proud to discuss their particular Native ancestors. E.g., "My mother's grandmother was a full-blooded Cherokee who was born and raised in Tahlequah." The people who refer to mysterious Indian ancestors (often Cherokee princesses) and can't or won't say more usually end up being frauds or wannabes. (That means you, Ward Churchill.)

    Incidentally, we've had enough debate on Tinsel Korey in this blog. Supporters will say, "How dare you attack this proud Native actress? She doesn't have to prove herself to you. Stop being so jealous/negative/racist." Critics will say, "Thank you for posting this. How dare she pretend to be Native? She's making a mockery of all the hard-working Natives who have struggled to overcome obstacles."

    In other words, we've heard it all before. If you have anything new to say on the subject--especially corroborating evidence--e-mail it to me. I'll decide whether to post it.

    For more on the subject, see Tinsel Korey Answers Critics and The Truth About Tinsel Korey.

    Capsule reviews of New Moon

    From the Rexburg Standard Journal (11/20/09):

    'New Moon':  Perfect for the fans, annoying for the non-fans[F]or those of us who don't swoon at high school romances with vampires and don't care to listen to incessant, endless whining, getting through this film might be a bit of a chore. But then again, so was Meyer's second novel, which this film was based on.Indians?The Native American tribe of werewolves...From Bloomberg (11/21/09):

    ‘Twilight’ Heroine Woos WerewolfBella has recurring nightmares during “New Moon.” So did I, mostly over the wretched dialogue (“It’s not about your soul. You’re just not good for me”), endless shots of a shirtless Lautner and an unintentionally comical scene where Edward faces an ancient vampire tribunal led by Aro (Michael Sheen), whose scary voice was modeled on the music-hating Blue Meanies in “Yellow Submarine.”Indians?A ferocious werewolf tribe...From blog.beliefnet.com (11/20/09):

    The Twilight Saga: New Moon[N]ew director Chris Weitz does not have Catherine Hardwicke's feel for the rhythms of teenage interactions and the intensity of teen romance. And he does not have her ability to tell the story through the settings; we miss the lush natural world of the first chapter. Weitz and screenwriter Melissa Rosenberg also have to grapple with a transitional story that translates less well to screen than the first one.Indians?A tribe of wolf-people...Comment:  To be fair, a few reviews have identified the tribe more neutrally: as an "American Indian tribe" or the "Quileute Indian tribe" without claiming it's a tribe of were-beasts. But almost no one is talking about the Indian characters, much less raving about how they're the heroes while the vampires are the villains. So much for the noble part of "noble savages."

    And of course no one is learning anything about the genuine Quileute people and culture. About all they're learning is the same thing they learn from most contemporary movies featuring Indians. Namely, that Indians are mystical, otherworldly, and not quite human. That they're associated with shamanism, spellcasters, shapeshifters, ghosts and spirits, burial grounds, curses, and other scary and spooky things.

    For more on the subject, see Quileute Werewolves in Twilight.

    Battle for Jim Thorpe's body

    Interesting story in the Pocono Record: Jim Thorpe lose its namesake?  Grandson speaks out. Jim Thorpe's sons Jack, Bill, and Richard want to move his body from Jim Thorpe, Pennsylvania, to the family burial ground in Oklahoma. They're suing based on the Native American Graves Protection and Repatriation Act, which "provides a process for museums and Federal agencies to return certain Native American cultural items--human remains, funerary objects, sacred objects, and objects of cultural patrimony--to lineal descendants, culturally affiliated Indian tribes, and Native Hawaiian organizations."

    Opposing them is Thorpe's grandson Michael Koehler, who takes the position of Thorpe's three daughters and the Borough of Jim Thorpe, which wants to keep the body. Thorpe's grandson explains the differing positions taken by Thorpe's sons and daughters:"Jack identifies with the spirituality of the Native Americans. He wants to return his father's body to his tribal resting ground in Oklahoma. He wants to perform an Indian ceremony in which tobacco is spilled into the grave, because he feels, as do most who believe in Indian spirituality, that his spirit is still not satisfied—it's roaming free and it needs to be back in Oklahoma, and he wants his body back in the tribal ceremonial grounds.

    "That's what Jack believes and, fortunately or unfortunately, I'm not sure which, I don't tend to adhere to that. I have felt all along that my grandfather has been well-served by the folks in Jim Thorpe, Pennsylvania, and I know that my Aunt Grace, my Aunt Gale and my mother, Charlotte—although my mother never got into it as much as they did—felt the same way."
    Comment:  Haven't heard NAGPRA used as a reason to disinter and move modern Indian remains. Could be an interesting case if it ever makes it to court.

    For more on Thorpe, see Values.com's Jim Thorpe Billboard and New Jim Thorpe Documentary.

    Tyra apologizes for "colorface"

    Tyra Banks Apologizes Over Bi-Racial Episode of 'ANTM'

    By Dana OliverTyra Banks apologized today if she offended anyone with the recent photo shoot featured on "America's Next Top Model" where contestants were painted in dark makeup to depict bi-racial women.

    "I apologize because that was not my intent," said Banks."It's my number one passion in my life to stretch the definition of beauty. I listen to many heartbreaking stories of women who thought they would be happier if they looked different. I want every girl to appreciate the skin she's in."
    And:In the shoot, models were made up to depict various racial and ethnic combinations, such as "Russian-Moroccan," "Native American-East Indian" and "Botswanan-Polynesian."

    Banks said the goal was to create an editorial celebration of the "Hapa," the Hawaiian word and concept of mixed race. Coincidentally, two prominent fashion magazines--French Vogue and V--also recently featured white models painted in dark makeup.
    Comment:  Here's an idea. Next time, use actual biracial models to celebrate biracial beauty. That way, you won't have to make-up people to be something they aren't. In other words, you won't have to perpetuate a century-plus of minstrel shows and old Western movies.

    For more on the Tyra Banks controversy, see "Next Top Models" in Blackface and "Think Native" on America's Next Top Model. For more on the colorface issue, see "Colorface" Yesterday and Today and A Brief History of Redface.

    Sting and Indians vs. hydroelectric dam

    Sting's plea over Brazil dam row

    By Gary DuffyRock star Sting has used his latest visit to Brazil to urge the government there to listen to the concerns of indigenous peoples over a proposed new hydro-electric dam in the Amazon.

    He was speaking at a press conference in Sao Paulo where he was reunited with indigenous leader Raoni Metyktire who joined him in a similar campaign 20 years ago which attracted worldwide attention.

    Indigenous tribes in the Amazon say the Belo Monte project, which would be the third largest hydro-electric dam in the world, poses a threat to their way of life.
    Comment:  For more on the subject, see Sting Shows Support for Kayapo People.

    Below:  "Sting joined up with Chief Raoni for the second time."

    November 20, 2009

    Media doesn't know Quileutes are real

    'New Moon' premiere like being in a movie for Quileute tribal members

    By Paige DickersonCanadian clothing designer Dorothy Grant loaned [Chairwoman Carol] Hatch a couture dress with a coastal design in red and black--colors that are traditionally important to the Quileute, [Publicist Jackie] Jacobs said.

    "It really was amazing," she said.

    Jacobs and Hatch walked the red carpet and did interviews with representatives of various media companies.

    The rest of the group--along with the Quileute students who were between 8 and 22 years old--went to a VIP area where they could meet the stars and take pictures.

    "When we would approach the various media people, and I introduced the chairwoman, it was a really interesting thing," Jacobs said.

    "About half of them were shocked that there really was a tribe called the Quileute, and the other half were amazed that she was there on the red carpet with them."
    Comment:  Let's think about this a minute. Millions of people have read the Twilight books and seen the Twilight movie. The media has written tens of thousands of articles on the Twilight phenomenon. Yet after all that scrutiny, half the media don't realize there's a real Quileute tribe?!

    This is what happens when you turn real Indians into fictional warriors, shamans, and werewolves. You place them in some alternate reality of mystery and magic where they never fought European invaders, signed peace treaties, or established modern governments. By equating Indians with ferocious beast-men, you deny that they have the accouterments of a civilized people: history, culture, language, religion, philosophy, and art.

    As I've said before, I'd love to see how Twilight fans would do on a Quileute quiz. Some might know that Quileute is a real tribe in Washington state. Other than that, though, I suspect they'd do poorly.

    For more on the subject, see Twilight Readers Forget Quileutes and Quileute Werewolves in Twilight.

    Kiowa Gordon mobbed by fans

    Walking the red carpet

    Kiowa Gordon shares ‘New Moon’ premiere experience

    By Mary Kim Titla
    “It was even crazier than I thought it would be,” said Kiowa Gordon, Hualapai, about the Hollywood premiere of the much-anticipated “New Moon,” the second installment of the “Twilight” saga.

    Kiowa, 19, who plays werewolf Embry Call, spoke by phone just hours after walking the red carpet with his mom Camille and his manager Dan Spilo at Mann’s Village Theatre in Los Angeles.

    “It was awesome. It was pretty exhausting though just walking the whole red carpet for an hour-and-a-half and doing lots of interviews. Fans lined up everywhere and they just steal your energy.” He claims to have given 600 interviews in the last week.

    According to his mom, the female fans knew who her son was but didn’t always know how to pronounce his name. “Girls were screaming Kiowa or Kee-oh-wa. I’d say ‘it’s Ki-oh-wa!’ It was crazy with all the girls screaming. It definitely was a night to remember. There must’ve been 1,500 girls and they came from different countries,” Camille said. The night before the premiere, Kiowa and another actor surprised fans who camped out for days to witness the big premiere.

    “We went out to the street and we wanted to say ‘what up?’ We wanted to show our love for them. They got up out of their tents. They mobbed us. The security came out and had to rescue us. We went around the block and saw more fans. We were there another hour. I did three more interviews with local TV stations,” Kiowa said.
    Comment:  For more on the subject, see LA Times Reviews New Moon and Pix of the New Moon Premiere.

    Below:  "Kiowa Gordon was swarmed by fans camping out the night before the premiere."

    Alcatraz changed course of history?

    1969 Alcatraz takeover 'changed the whole course of history'

    By Nicole Lapin and Jason Hanna"Forty years later, Native people still recognize the occupation for what it was and remains: a seminal event in American history that brought the plight of American Indians to the world's attention," Bratt and his brother Peter said in a statement.

    "It's easy to pass off the Alcatraz event as largely symbolic, but the truth is the spirit and dream of Alcatraz never died, it simply found its way to other fights," the Bratt brothers said. "Native sovereignty, repatriation, environmental justice, the struggle for basic human rights--these are the issues Native people were fighting for then, and are the same things we are fighting for today."
    And:The occupiers didn't get their demands. But President Nixon ended the U.S. tribal termination policy in June 1970, while they still were on the island. This was a result of the public spotlight that the occupation put on Indian issues, Johnson and Glassner said.

    "It might have happened anyway, but Alcatraz had the attention of the nation, and it led to those changes being initiated in the White House," Glassner said.
    Comment:  Funny, the Wounded Knee episode of the We Shall Remain series assured us that the 1973 occupation of Wounded Knee was the turning point in modern Native history. Now we're hearing it was the occupation of Alcatraz. Which is it: Wounded Knee or Alcatraz?

    For more on the subject, see 40th Anniversary of Alcatraz Occupation.

    Below:  "Adam Fortunate Eagle says the occupation was the most significant Native American event in more than a century."

    Navajo and Apache Christmas trees

    Diné Christmas trees to be sent off tonight

    By Cindy YurthThe two Navajo Nation forestry technicians were tasked with picking out 17 perfect piñon pines to grace the U.S. Department of the Interior this holiday season.

    The trees will be among 75 "companion trees" to decorate federal offices sent along with the 85-foot blue spruce cut in the Apache-Sitgreaves National Forest that will be this year's Capitol Christmas Tree.

    For the first time since the U.S. Capitol started displaying a Christmas tree in 1964, Arizona was selected to provide the tree. The 75 companion trees come from around the state, with both the Navajo and Apache tribes supplying some of the evergreens.

    "It's been exciting to be involved in this event, which makes history not only for Arizona but the Navajo Nation," said Navajo Nation Forest Manager Alexious C. Becenti.
    Below:  "Navajo Nation Forestry vehicles with flatbeds carrying Christmas trees make their way back to Navajo Route 12 Tuesday afternoon in Milk Water, which is northwest of Crystal, N.M. The trees are part of Arizona's Gift from the Grand Canyon State Capital Christmas Tree 2009. The pinon trees will be given offices in Washington D.C." (Special to the Times--Donovan Quintero)

    Multimedia Chickasaw cultural production

    ‘Lowak Shoppala’ brings history, culture of Chickasaws to life

    By Dana HudspethThree renowned Chickasaw artists, Jerod Tate, Linda Hogan and Margaret Roach Wheeler, will help bring Chickasaw culture to life at the Nov. 21 premiere, and Nov. 22 performance, of "Lowak Shoppala' (Fire and Light).

    "These are three exceptionally talented individuals who have accomplished great things in the fields of music, literature and visual arts," said Chickasaw Nation Governor Bill Anaotubby. "There is no doubt that they will create an incredibly moving production as they combine their talents with all the other talented individuals and groups involved in this project."
    The three artists and their roles:Chickasaw classical composer Jerod Tate was commissioned by the American Composers Forum Continental Harmony Project to create the music for the production.

    "The title of the work comes directly out of the poetry of Linda Hogan," said Mr. Tate. "She composed a poem called fire and light for the tribe back in 2004. I was so moved by the poetry and the idea that I realized I wanted to use her poetry in the work as well."

    "It's a multimedia work in that it's for theater, so it involves acting and staging and costumes and there's dance and soloists, singers, and the children's chorus and traditional dancers from the tribe as well," said Mr. Tate.

    Textile artist Margaret Roach Wheeler created the costumes and set designs for the production.
    Comment:  For more on the subject, see Native Plays and Other Stage Shows.

    Filming World's Best Indian Taco

    Some location shots from the filming of Creative Spirit's Search for the World's Best Indian Taco:

    Pamela Peters's Photos--Creative Spirit 2009
    Steven Judd's Photos--film shoot

    Quite an array of talent involved in making this short film: Steven Judd (writer/director), Saginaw Grant, Cody Lightning, Noah Watts, Crystle Lightning, JR Redwater, and more.

    As you may recall in 2009 Script Winners Named, I was one of the Creative Spirit judges. I thought this script was by far the best one I read. James Lujan, the founder of Creative Spirit, wasn't sure he had the funds to make the film, so I'm glad to see it happening.

    For more on the subject, see Creative Spirit Script Competition.

    Indians and athletes at G2E

    Lise King's pix of the Global Gaming Expo, including appearances by Kareem Abdul-Jabbar, Magic Johnson, and Joe Montana:

    G2E--Lise King Photography

    Highlights of Lise's photos for those with a short attention span:

    Lise Balk King's Photos--G2E 2009

    For more on the subject, see Pix of Global Gaming Expo 2009.

    November 19, 2009

    Global Gaming Expo 2009 (Day 4)

    Continuing my report begun in Global Gaming Expo 2009 (Day 1), Global Gaming Expo 2009 (Day 2), and Global Gaming Expo 2009 (Day 3):

    After sleeping three hours Wednesday morning, three hours Wednesday evening, and one hour Thursday morning, I was up early and ready to go. Victor and I had breakfast in our room, then packed up and headed for the Convention Center.

    I attended an Indian gaming panel that promised "issues and answers." Among the speakers were three I know personally: Mark Macarro, Ernie Stevens Jr., and Mark Van Norman. The panelists offered overviews of the subject but no hard-hitting Q&As, as I expected, so I left earlier. I took a circuitous route back to our booth and snapped some more pictures.

    At our booth we met William Spain and Andrew Gellatly, the gaming writers from last night. We also met our good buddy Chad Gordon, a Native lawyer, and his new girlfriend Amy. Because Victor was eager to get home, we packed up the booth early.

    Heading home

    On the way out we met Dr. Kate Spilde, Indian gaming researcher, and had a long chat. We were a bit surprised to see Steve Kroft and a 60 Minutes crew pass by. Apparently they were at G2E to do an exposé on slot-machine addiction.

    We picked up Victor's car from the Las Vegas Hilton, where he had parked it, and headed out. We had one interesting stop in Baker, California, in the middle of the Mojave Desert. A store selling "Alien Fresh Jerky" had dummy aliens on display on their roof and in a car.

    We listened to Howard Stern all the way back. Victor did almost as well on Stern's SuperFan Quiz as the participants. At Victor's house, his wife Pat made us chicken soup and I played with their kitty Maya. Then I headed home.

    For more on the subject, see The Facts About Indian Gaming.

    Below:  IGT incorporates the hottest entertainment trends into its slot machines.

    Megafauna died before Clovis Indians arrived

    Scientists zero in on reason for mammoths' demise

    The sediment beneath an Indiana lake is providing clues. One thing is clear: A meteor didn't kill off the mammoths, mastodons and other large plant-eaters, as previously theorized.

    By John Johnson Jr.
    To track the population of large herbivores, scientists analyzed the pollen, charcoal and fungus in ancient sediments beneath Appleman Lake, a 35-foot-deep body of water left behind when the last ice age ended 20,000 years ago. The research focused on the amounts of the fungus Sporormiella present in the sediments, according to Jacquelyn Gill, a graduate student at the University of Wisconsin, Madison and a co-author of the paper appearing in today's issue of the journal Science.

    Because the fungus is commonly found in the dung of large plant-eaters, its prevalence in the fossil record should be a direct measure of population density, Gill said. The research team found that the decline of the large mammals started about 14,800 years ago--and was virtually complete a thousand years later.
    What it means:According to Gill and the other researchers, from the University of Wyoming and Fordham University in New York, these dates eliminate several possible reasons for the mass extinction that were put forward previously.

    The first is habitat loss due to a changing climate. Around this time, tree species such as black ash, elm and ironwood began spreading across the landscape of North America. According to Gill, the die-off of the big mammals predated this change. In fact, the loss of the big herbivores may have helped precipitate it. Without the large plant-eaters around to keep them in check, the tree species were free to colonize the countryside.

    Another theory suggested that a comet or meteor impact that occurred about 12,900 years ago could have wiped out the big mammals in the same way that a similar but larger impact is believed to have killed off the dinosaurs. The new timeline shows the extinction event was already over when that impact took place, Gill said.

    A third theory held that the animals were wiped out by a so-called "blitzkrieg" of hunting by Clovis culture humans. The Clovis culture is distinguished by the fluted spear points used by hunters to bring down large animals. But according to Gill, the die-off was already underway before the Clovis hunters arrived. "This was already happening before humans adopted the Clovis tool kit," Gill said.
    Comment:  The researchers say what didn't kill the megafauna, but not what did.

    The precise timeline doesn't necessarily rule out any of the theories. A previous era of climate change or comet or meteor strikes could've wiped out the megafauna. Even a previous wave of Paleo-Indian immigrants could've done the job.

    I'm still betting on some variation of climate change. Several Ice Ages occurred over the previous millennia, so this was an epoch of cataclysmic climate shifts. Each cooling and warming period must've been a huge shock to ecosystems.

    For more on the subject, see Dennis Prager and The Ecological Indian.

    Below:  "Researchers found that the decline of large mammals started about 14,800 years ago--and was virtually complete a thousand years later." (Ethan Miller, Getty Images/September 30, 2009)

    Sioux fight for "Fighting Sioux"

    Tribe battles to keep logo for Fighting Sioux

    By Valerie RichardsonThe most prominent defenders of the University of North Dakota's right to call its teams the Fighting Sioux are neither alumni nor hockey fans.

    They're Sioux.

    A group of Spirit Lake Sioux won a temporary restraining order last week to stop the North Dakota University System from retiring the nickname and logo, one of the last in the country associated with an American Indian tribe. A hearing for a preliminary injunction is slated for Dec. 9 in Ramsey County District Court in Devils Lake, N.D.

    Most such university team names have been abandoned in the face of criticism that they were offensive or derogatory, but that view isn't the only one in Indian country. Some tribal members take pride in their association with the Fighting Sioux and worry that eliminating the moniker "will cause isolation and a diminishing of public interest, knowledge and respect for Sioux history," according to the complaint.
    Comment:  The claim that a mascot is the only way people will remember the Sioux was stupid when a non-Indian made it. It's just as stupid when an Indian makes it.

    How stupid is this claim? Here's a clue. The press frequently covers Sioux-related subjects--for instance, poverty, crime, and (the lack of) healthcare on the rez. Even in Newspaper Rock's limited area of pop culture, we talk about sweat lodge abuses, the SCALPED comic book, Indian chief wine holders, museum exhibits, old Western films, the Crazy Horse Memorial, and on and on.

    If that isn't enough, the state is named for the Dakota people. And most Indian appearances in the media--for instance, the recent tribal summit--include Plains chiefs and tipis. If Americans ever forget Indians, the ubiquitous Sioux stereotypes will be the last thing they remember.

    For more on the Fighting Sioux, see State Board Postpones "Sioux" Decision and Fighting Sioux = Fraidy Cats.

    Pix of Global Gaming Expo 2009

    Pix of our four-day trip to Las Vegas to man the PECHANGA.net booth at the Global Gaming Expo:

    Day 1

    Global Gaming Expo (Day 1)--Nov. 16, 2009

    Report:  Global Gaming Expo 2009 (Day 1)

    Day 2

    Global Gaming Expo (Day 2)--Nov. 17, 2009
    Global Gaming Expo (Day 2 evening)--Nov. 17, 2009

    Report:  Global Gaming Expo 2009 (Day 2)

    Day 3

    Global Gaming Expo (Day 3)--Nov. 18, 2009

    Report:  Global Gaming Expo 2009 (Day 3)

    Day 4

    Global Gaming Expo (Day 4 morning)--Nov. 19, 2009
    Global Gaming Expo (Day 4 afternoon)--Nov. 19, 2009

    Report:  Global Gaming Expo 2009 (Day 4)

    For more on the subject, see The Facts About Indian Gaming.

    November 18, 2009

    Global Gaming Expo 2009 (Day 3)

    Continuing my report begun in Global Gaming Expo 2009 (Day 1) and Global Gaming Expo 2009 (Day 2):

    Not much to report today. After a day of rich food (chocolate candy, chicken parmesan), hard work, and little sleep, I felt a bit queasy when I woke up. I hoped it would go away, but I'd experienced this feeling before. I didn't think it would go away until I heaved up whatever was in my stomach.

    So I stayed in bed all day, missing a CityCenter tour and the trade show. I did throw up a few times--once when the maid was present, embarrassingly. Since I hadn't eaten since 8:00 the previous evening, only clear fluid came up.

    Victor covered the trade show for us. He came back early to work, then went to dinner with the Daily Gaming Writers, an annual event. I'm known for how much I ate at these dinners, but it wasn't to be this year.

    Victor returned with two writers--Bill Spain of MarketWatch and Andrew Gellatly of Gambling Compliance--so I got to say hello. By then I had slept three hours in the morning and three in the evening. I was feeling well enough to go downstairs and take some pictures of the MGM Grand at night.

    LA Times reviews New Moon

    Movie review:  'The Twilight Saga: New Moon'

    The novel demands that Bella and Edward be kept apart, robbing the movie of the crazy love that made 'Twilight' such a guilty pleasure. And about the director ....

    By Kenneth Turan
    "This is the last time you'll ever see me," Edward Cullen says to Bella Swan. As if.

    Spoken early on in "New Moon," that promise is one of the least likely to be kept in movie history. With most of that film still to unfold, and two more adaptations of Stephenie Meyer's "Twilight" series in the works, the next due out as soon as next summer, the world is going to see as much of Kristen Stewart's melancholy Bella and Robert Pattinson's undead Edward as it can take. Maybe more.

    In the short term, however, Edward is as good as his word and "New Moon" suffers as a result. Constrained by the plot of the novel, the film keeps the two lovers apart for quite a spell, robbing the project of the crazy-in-love energy that made "Twilight," the first entry in the series, such a guilty pleasure.

    "New Moon," which has been grandly titled "The Twilight Saga: New Moon" in honor of that first episode's huge success, marks the franchise's entrance into the self-protective, don't rock the boat phase of its existence, which is inevitable but a bit of a shame.

    In place of "Twilight" director Catherine Hardwicke, a filmmaker of intense, sometimes overwhelming and out of control emotionality who seemed to feel these teenage characters in her bones, "New Moon" has gone with the more polished Chris Weitz.

    A smooth professional whose credits include such adaptations as "The Golden Compass" and "About a Boy," Weitz makes the vampire trains of Melissa Rosenberg's capable script run on time, but he almost seems too rational a director for this kind of project. This lack of animating madness combined with the novel's demands give much of "New Moon" a marking time quality.

    Yes, I know, "New Moon's" emotional energy is supposed to come through Bella's putative attachment to newly buff best friend Jacob Black (Taylor Lautner). But though audiences gasp when Jacob uses his shirt to staunch Bella's blood (don't ask) and reveals a torso that would make Charles Atlas swoon, the connection between these two is so self-evidently non-romantic that it turns out not to be much of a diversion.

    More interesting is Jacob's discovery that as a member of the fierce Quileute tribe he is prone to turning into an exceptionally large wolf at a moment's notice, a wolf whose main objective in life is to safeguard humans from vampires. In addition to pining for Edward, Bella suddenly finds herself in the middle of age-old and bitter enmities. This is one hard-luck young woman.
    Comment:  Apparently the only message Turan got about Indians was that the Quileute tribe is "fierce." No doubt he got this message because the Indians are portrayed as half-naked, dark-skinned beast-men.

    For more on the subject, see Quileute Werewolves in Twilight.

    Below:  "I'm shirtless, dark-skinned, and fierce. I'm an Indian!"

    Natives call Going Rogue fiction

    State leaders call Palin's "Going Rogue" a work of fiction

    Now that former Governor Sarah Palin's book is out for all to read, some Alaska leaders say he facts are plain wrong.

    By Matthew SimonIn the manuscript's early pages Palin talks about the oil boom. While she says energy production and jobs were an upside, she also says downsides, like social problems for Alaska Natives, were created.

    "Some Alaska Native leaders knew they must aggressively protect natural resources to which they were spiritually and physically connected." Palin writes. "Thankfully, the young state's founding fathers and mothers ensured the state constitution contained specific language guaranteeing equal rights."

    But Alaska Inter-Tribal Council Executive Director Brad Garness says, "Sarah Palin has never supported tribal sovereignty, and she's made it clear she'll sell resources based solely on profit, with no respect for people who've inhabited the land since before recorded history."

    Garness' organization represents all 229 Alaska tribes.
    Comment:  For more on the subject, see Palin Attacks Native Rights and The 2008 Presidential Campaign.

    Natives address climate change

    Native Americans Meet In Minn. On Climate ChangeNative American groups gather in Prior Lake, Minn., on Wednesday to strengthen their clout in global climate change talks.

    The Native Peoples Native Homelands conference aims to give indigenous people more say ahead of a 192-nation conference on climate change in Copenhagen next month.

    The conference will look at the effect of climate change on Native American communities, touching on subjects including subsistence economies, traditional plants and sacred sites. Organizers say global warming has a disproportionate effect on Indian communities because of their relationship to the land.

    Sponsors include the National Aeronautics and Space Administration, 36 tribal colleges and Native American environmental groups. The conference runs through Saturday at Mystic Lake Casino Hotel.
    Comment:  For more on the subject, see Indians Fight for Earth's Future and IsumaTV's "Countdown to Copenhagen."

    November 17, 2009

    Global Gaming Expo 2009 (Day 2)

    Continuing my report begun in Global Gaming Expo 2009 (Day 1):

    After breakfasting in our room, we hopped on the monorail with our gear. We got to convention center just after it opened at 10 am. That's early for us--we usually have trouble making the opening when it's at 12 pm.

    Unfortunately, our booth was located in the boondocks--a stone's throw from the most remote corner of the hall. To give you an idea, our immediate neighbors were two vendors who didn't show up and a vacuum cleaner salesman. Someone had taken our table and chairs so I had to track down Exhibitor Services and request them.

    We set up our booth and talked to a few people for an hour and a half. A few comment worth repeating:

  • A lawyer said his slogan is: "Reasonable doubt at a reasonable price."

  • Victor, explaining himself: "I'm a casino Indian. We don't track animals, we track players."  [paraphrase of the original]

  • Then Victor returned to the hotel room to post more stories, leaving me to man the booth. Over the next 3.5 hours I entertained a small trickle of visitors, including John Palinkas of Pechanga, Jim and Brenda Soulliere of Cabazon, and journalist Dave Palermo. The traffic was light enough that I left the booth unattended a few times to get some water and candy from other booths.

    Floor trek

    Finally Victor returned and I went to buy a sandwich for lunch. I then wandered a bit and took photos. I saw Adam Beach at the Cadillac Jack. Curiously, they've changed his Ghost Bear slot machine so it pictures a long-haired Indian in a headband rather than a portrait of Adam. I guess his modern look wasn't stereotypical enough?

    The only discordant note came when a smiling G2E employee said I couldn't take pictures without a press sticker on my badge. He correctly noted that I was a member of the press, but said that wasn't enough. I'd have to go through the Mickey Mouse procedure of getting a sticker to confirm my identity.

    He was telling me this politely, he said, but if caught me taking pictures again, he'd confiscate my camera till the end of the show. Yeah, that'll be the day. What about the all the other people taking pictures with their cameras and cellphones? I asked. He said they were trying to crack down on everyone.

    How stupid is this policy? The show exists to publicize new products. Why in the world wouldn't you want everyone to take pictures? You could argue that G2E should throw the doors open to the press and public to maximize the "buzz."

    Anyway, I put my camera away and returned to our booth. Out of sight of the G2E Gestapo, I proceeded to take more pictures. We hung around for another hour before deciding to leave for the day and return to our room.

    In the evening

    After more work and Internet troubles, Victor and I headed to the Palm restaurant in the Forum Shops area of Caesars Palace. Accompanying us was Victor's friend Billy Tallichet. We were supposed to eat with a group from IGT, the world's largest slot machine manufacturer...but when we arrived, they had already started.

    The three of us decided to get our own table. Billy, who's in the restaurant business, said the food was great but the service was poor. He entertained us with stories of the restaurant biz and his latest passion: professional go-cart racing.

    Afterward, we walked through the Roman-themed shops area in search of cigars for Billy. This place is about as rich and decadent as imperial Rome at its peak. Monumental statues, huge domed ceilings, even a Trojan Horse...Caesars Palace is truly faithful to its theme.

    Finally we returned to our room. Victor and Billy went off to meet some friends and smoke their cigars. Victor tasked me with updating PECHANGA.net while they were gone. I hadn't started when they returned--I almost dozed off. But then I powered through three hours of newsgathering while Victor went to sleep.

    P.S. Since we were staying at the same hotel and taking the same monorail as last year, I tried not to duplicate my previous photos. For more on the MGM Grand and the Las Vegas monorail, see:

    Global Gaming Expo (Day 4)
    Global Gaming Expo (Day 3)
    Global Gaming Expo (Day 2)
    Global Gaming Expo (Day 1)

    Quileute in Meyer comic book

    Bluewater Productions has produced a series of comics called FEMALE FORCE featuring the life stories of Hillary Clinton, Sarah Palin, Michelle Obama, and Caroline Kennedy in a broad examination of strong women in politics. Now FEMALE FORCE has branched into the literary world with comics about JK Rowling and Stephenie Meyer.



    Judging by the first seven pages, which are available online, Bluewater has added a supernatural framing device featuring vampires, wolves, and other spooky things.



    I guess these scenes imply Meyer is a master of the macabre--rather than, say, a romance-besotted housewife. She's in tune with the grim and ghastly, channeling supernatural visions from the dark side. In short, this isn't just a plain-vanilla biography of someone who married her high-school sweetheart and lived happily every after.

    The narrative inexplicably jumps to a history of the Quileute. Besides linking Indians to werewolves and vampires in the first few pages, this page also makes some questionable claims. (Right-click on the image and select View Image to see it full size.)



    The first three captions are fine. The third panel shows a half-naked in a headband and cloak. I don't know if this is historically accurate, but I doubt it. This seems like the movies' conception of what the "primitive" Indians must've worn.

    Panel four takes a turn for the worse when it says, "They originally were a very spiritual people." Really? They were but they aren't now?

    True, this claim might have some validity. Everyone--Indians and non-Indians alike--are probably less spiritual in this modern age. But what's the writer's basis for making this claim? Have the Quileute Indians themselves admitted they're less spiritual nowadays?

    Again, I doubt it.

    True, many of them have abandoned their traditional religion for Christianity. But who says they're not very spiritual Christians? Maybe they believe more strongly in Christianity than they ever believed in their traditional religion.

    Wolves on a vision quest

    Panel five says, "The boys would go on quests to find their supernatural power once they reached puberty." Not all tribes traditionally practiced vision quests, of course, but most had puberty rites of some sort. I don't know if the Quileute had such rites or if they involved searching for a "supernatural power." This could be true, but it sounds like a movie concoction to me.

    The Quileute website says, "Youths sought their own taxilit (personal guardian power) on solitary spirit quests." Hmm...not quite the same thing. A "supernatural power" is something like changing yourself into a wolf. A "personal guardian power" is more like a guiding spirit that helps you in times of trouble.

    The previous panel says, "Legend holds that a supernatural transformer fashioned the Quileute from wolves...," an accurate summary of the tribe's origin myth. But this panel shows wolves, not boys, going on a quest. The picture contradicts the previous caption and implies the Quileute are wolves in human form.

    So the comic book perpetuates the phony legend that Stephenie Meyer invented--that the Quileute aren't merely descended from wolves, but are still shapeshifting werewolves. Apparently she and the comic-book creators haven't learned anything from the objections people have raised. They're still peddling their products at the expense of Indians--telling false and misleading stories, without permission, to enrich themselves.

    For more on the subject, see Meyer Violated Quileute Etiquette, The Problem with Quileute Werewolves, and Twilight vs. Quileute Legends.

    P.S. The lines about the Quileute being less spiritual and the boys going on supernatural quests apparently come from the Quileute Wikipedia entry. I quoted these lines myself in Genuine Quileute History and Culture. But I'd still take anything written by non-Indians about the Quileute with a big grain of salt.

    Means to star in play

    Russell Means takes to the Stage in Los AngelesHe was a controversial figure of the ’60’s and ’70’s counterculture movement. He participated in an armed standoff of American Indians against the U.S. government in 1973 at Wounded Knee. Later, in 1987, he ran for president (as a Libertarian). Now activist-turned-actor Russell Means is entering yet another phase of his career—he’s taking on his first role in a stage play.

    Means will star in the world premiere production of “Palestine, New Mexico” at L.A.’s Mark Taper Forum. Written by Richard Montoya of the group Culture Clash, the drama tells the story of a military officer who is investigating the death of a soldier in Afghanistan. Her search leads her to the soldier’s father (Means), who is guarding a secret about his son.

    The production opens next month and runs through Jan. 24.
    Comment:  For more on the subject, see Russell Means Speaks and Native Plays and Other Stage Shows.