Showing posts with label Winnetou. Show all posts
Showing posts with label Winnetou. Show all posts

March 23, 2013

The German fetish for Indians

More evidence that German hobbyists honor Indians the same way Americans "honor" Indians with mascots.

Germany's Obsession With American Indians Is Touching—And Occasionally Surreal

By Red HaircrowJürgen Michaelis, who lives near Dresden, was standing in front of the small, improvised tipi he keeps in his back garden, wearing a homemade deerskin suit and a matted black wig that had a lone blue feather stuck in it. “I’m 75 percent Indian but still German,” the retired locksmith told a writer for Der Spiegel, adding that his Indian name is The Lonely Man.

Michaelis is not the only German who likes to pretend he is an Indian. Hobbyism or Indianism, the desire to copy Native Americans is a puzzling and persistent passion for many Germans. Every year, there are dozens of pow wows arranged, managed and run by non-Natives at which, Der Spiegel reported, “thousands of Germans with an American Indian fetish drink firewater, wear turquoise jewelry and run around places like Baden-Württemberg or Schleswig-Holstein dressed as Comanches and Apaches.” There are several German Wild West theme parks like Eldorado, a popular vacation spot featuring staged cowboys vs. Indians or small reenactments of notable battles, as well as dancers performing choreographed sets that combine dance styles and forms.

Michaelis’s life as an “Indian” mostly consists of emulating Natives who roamed the Great Plains of North America over two centuries ago, and now that he’s retired, he spends the majority of his time making and selling Native-inspired trinkets and small leather goods to sell. Some Germans don’t limit their dress-up to their backyards. They periodically put away their mobile devices and other modern tools for the weekend and recreate tipi encampments, dress in animal skins and furs, prepare and cook food over an open fire and address one another by Indian-sounding names such as White Wolf, all while discussing their feelings of invoking the spirit of what it is to be an Indian. There are also websites like Tipis.org, which declares itself “dedicated to all the people around the world who have ever studied the American Indian tipi and wanted to live the life of freedom on the Plains that this structure represents.” Posted there are photos of Europeans who have abandoned their own culture, either permanently or occasionally, to “live like Indians”—or what they have rather fancifully imagined what living like an Indian entails. Some of these people actually roam the countryside wearing buckskin, living off the land and practicing their peculiar brand of American Indian religion.

An estimated 40,000 Germans pay dues at more than 400 clubs so that they can pretend to be Indians. Some of these clubs serve a dual purpose because it is illegal in Germany to fire a rifle, ride a horse or camp unless you belong to a registered club and engage in those activities on club premises. Some of the more popular ones are the Cheyenne Indian Club, Western Club Freising and the Wild West Club. The Cowboy Club of Munich, founded in 1913, is the oldest club of its kind in Germany, and regularly hosts events in which members dress up and act as they believe Indians did hundreds of years ago, insisting upon what they believe is authenticity, although they call themselves rote Indianer—red Indians. They organize pow wows; make, sell and trade handiwork; and drum, sing and dance. Some even take lessons on horseback riding or shooting a bow and arrow.

Krisztina Szabo, who was interviewed for Linda Holley’s book, Tepees, Teepees and Tipis: History and Design of the Cloth Tipi, told the author, “Our camp is always in summer, in July for two weeks. During this time we live in tipis, we wear only Indian clothes. We don’t use technology, and we try to follow Indian traditions. We have those [pretending to be] Lakota, Oglala, Blackfoot Blood, Siksika, Pawnee…and we go on warpath against each other day and night, anytime at all. In two weeks, every tribe can fight each other. We don’t know when somebody will attack or when they will come to steal our horses. And the battles are always exciting, too. I really enjoy them.”

Adults playing dress-up might seem vaguely comic, but these people are shockingly earnest in their love for Native culture, regardless of how poorly many of them understand it. Many even acknowledge that their events—and even their costumes—aren’t about Native American life as it is today, or even was 200 years ago. They just consider their dress-up to be good fun and do not mean to give offense.

Some champions of Native culture don’t find these hobbyists funny or benign. Susan Marcia Stan, who wrote an essay about the impact of Native misrepresentation in children’s literature says, “ ‘Playing Indian’…assumes that being Indian is something that can be put on or taken off at will and completely ignores the cultural heritage of Native people.”


The source for these imitations:Where did this obsession with Native Americans come from? You can thank (or blame) the novels of Karl May (1842–1912), the best-selling German author in history. Many of his most popular books were about a German explorer and wanderer who traveled through America’s Old West and eventually became blood brother to Winnetou, a fictional Apache warrior. This German explorer comes to be called Old Shatterhand, and with his Indian companion battles and overcomes evil of all kinds. Winnetou is the stereotypical figure for many Germans of what a “real” Indian is like: how they dress, speak (broken English) and behave. The country’s long fascination with Native Americans spiked in the 1960s, after several of May’s books were made into films.More Indian than real Indians?Berlin’s HeileHaus is a popular meeting spot for younger hobbyists. It once offered Native American healing, meditation, vision quests and ceremonies that are said to help people find their spirit guide, animal totem or even their secret Indian names. Through Google you’ll find pages of results for such New Age groups, some with their personal Indian shamans, leaders or someone who says they’ve studied with Indians and have now brought these teachings to Europe, often for a fee.

Julian Crandall Hollick is a writer who has interviewed many German and European hobbyists and aficionados. “These are intelligent men and women—computer programmers, truck drivers, interior decorators—for whom the American West offers another identity necessary for their mental stability, a means of going back into history to make sense of as world in which they often alienated; another way for Man to renew the search for identity and his relationship with Nature,” he has written. “Of course, many ordinary Europeans have now visited the [American] West. They know full well their dream is about an America that no longer exists, may never have existed. But they are content with the myth because it fulfills [personal] needs.”

For some it goes far beyond weekend fun or a chance to adopt certain Indian values or beliefs; these hobbyists don’t limit themselves to occasionally procuring authentic garments, decorative items and handicraft projects. Such is the case with the self-proclaimed chief, Gerhard Fischer, known as Old Bull, who heads the Karl May fan club, which hosts a festival on the author’s birthday. Fischer and his kind have romanticized long-gone Native Americans to a degree that they think “latter-day” Indians are poor examples of their ancestors—whom they revere as noble savages. Old Bull’s followers believe Natives today are being perverted by modern culture and that they, not Native Americans, are preserving Native culture.

Instead of empathizing with the very real struggles of Natives now living in North America, these “new Indians” of Europe see the societal problems, substance or alcohol abuse, poverty and internal difficulties within some indigenous communities as evidence supporting their conclusions. They believe their activities are keeping Native American traditions alive, because—they believe—most Natives neglect or do not appreciate their own heritage.

The website for the “Indians and Mountain Men” club declares that “the purpose of the club is to maintain the customs and traditions of the North American Indians and Mountain Men.… We call ourselves practicing anthropologists and take our hobby and the related work, either in theoretical or practical shape, very seriously. The tipis, all the clothing, as well as all items are lovingly made by hand and decorated by us. Many of us even tan the leather itself and sew it together with animal sinews, as the Indians did before. We practice in many skills and craft techniques of this cultural group, and even in songs and dances we strive to achieve the utmost authenticity.”

David Redbird Baker, Ojibwe, told Noemi LaPinto for an article in the Canadian monthly magazine, Alberta Views, that when he first came to Germany, he was amused by the hobbyists, but his feelings changed as he spent more time amongst them. “They take the social and religious ceremonies and change them beyond recognition….They’ve held dances where anyone in modern dress is barred from attending—even visiting Natives. They buy sacred items like eagle feathers and add them to their regalia.” In his opinion, these hobbyists, by claiming the right to improvise on the most sacred rituals, have begun to develop a sense of ownership over Native culture.
Comment:  You can see it all here. Plains Indians...buckskins and tipis...no technology...vision quests and spirit animals...romantic myths and fairy tales...etc. Germans are imitating the Indians of legend--Karl May's books and old Western movies--not real Indians. Which are the same Indians portrayed in sports mascots--the same Indians worshipped by Americans. You know, while they remain ignorant about and cut the funding for today's Indians, who are the only real ones in existence. It's "honoring" Indians by perpetuating a false or stereotypical version of them at the expense of reality.

I read Winnetou, the first book in May's Old Shatterhand series, and debated it here. It's basically a white supremacist fantasy, with a Jesus-like Superman saving a few good Indians from a horde of bad ones. No wonder Adolf Hitler liked the books so much. They provide ample ammunition for exterminating the degenerate heathen "redskins"--i.e., most Indians.

For more on German hobbyists, see Germans Love Westerns and Chief Wahoo in Germany.

Below:  "May’s novels had little basis in fact, which may explain their worldwide appeal."

August 15, 2011

Germans love Westerns

Cowboys and 'Indianerfilms' Ride High With Film Lovers in Germany

By Scott RoxboroughAs Jeff Bridges, Hailee Steinfeld, Josh Brolin and the Coen Brothers ride in Thursday for the Berlin Festival opener True Grit, they will be welcomed by a local audience wild for Westerns.

Germans have a long and enduring love affair with the most American of genres. Wild West tales from High Noon to Once Upon a Time In the West to Dances With Wolves have been huge hits here. There are more than a hundred Wild West clubs across the county where grown men (and a few women) gather to play cowboys and Indians on stage sets of saloons and hitching posts. Iconic Western images of the wide, unbroken horizon, the solitary cowboy on the lonely trail or the sheriff bringing justice to a lawless land are as engraved on the German mind as the characters of Grimm's Fairy Tales.
Why Westerns are popular, at least in East Germany:"When I was a kid in Leipzig, East Germany, playing Indians was an antidote to the Young Pioneer's indoctrination and propagated anti-Americanism," says Peter Bischoff, president of the German association for the study of the Western, a non-profit group which boasts the world's largest collection of Western literature worldwide outside the Library of Congress.

"The imperialist cowboy was substituted by the anti-imperialist Indian who was honored for his brave resistance to Yankee greed and imperialism," says Bischoff. "They were really just agitprop. But popular. Form 1966 through 1975, DEFA studios made one 'Indianerfilm' a year."
Comment:  I guess this could apply to West Germany too. Many Europeans disdain "Yankee greed and imperialism." Rooting for the Indians could be one way of expressing this.

For more on the subject, see Blake to Script Winnetou Movie and Rob Questions Winnetou Movie.

August 12, 2011

Blake to script Winnetou movie

'Dances With Wolves' Screenwriter To Adapt German Western 'Winnetou'

Oscar-winner Michael Blake to pen script for "Winnetou" remake.

By Scott Roxborough
German mini-major Constantin Film is planning a revival of one of the country's most beloved film franchises: the Winnetou series of Westerns based on the novels by German author Karl May. A remake of the Winnetou films has been rumored for years but now Constantin has confirmed that it is pushing ahead with the project. Writer Michael Blake, who penned the Oscar-winning script to Dances With Wolves, will adapt May's work for the screen. Constantin's Robert Kulzer and Martin Moszkowicz will produce.Comment:  Let's hope Blake doesn't follow the first book too closely, since Old Shatterhand the German was the star and Winnetou was his faithful Indian companion. In other words, let's hope he doesn't turn the movie into another Dances with Wolves.

For more on Winnetou, see Rob Questions Winnetou Movie and Germans Plan Winnetou Movie.

May 24, 2011

Rob questions Winnetou movie

In Germans Plan Winnetou Movie, I described the latest effort to bring Winnetou to film. I wondered how the filmmakers could reconcile their love of the original novel with their modern sensibility. How could they feature a white savior, savage Indians, and reams of mistakes and stereotypes without rewriting the whole book?

I posted these questions on the NativeCelebs page in Facebook. This led to the following exchanges with one of the German producers:

Style of the Film--Author's Note

The first Winnetou book depicts a whole tribe of "murderous savages" who capture Old Shatterhand and Winnetou. Indeed, the majority of Indians in the book are murderous savages. How do you propose to counteract this stereotype if you remain faithful to the book?

The book itself portrays most Indians badly. So you're either going to change the book's story or remain faithful to its stereotypical message. I wonder which?In the introduction of the original "winnetou - the red gentlemen" from 1800 the author has a long prologue that the Native Culture is much better than the white conquerors. he describe the native culture as culture of honour and love to nature, and that he will inform all the people that this culture is much higher than our culture because they only take from nature what they need to survive - full of respect to mother nature! The bad guys in the story are mostly greedy white guys. And that opinion of an european is for my really surprising at that time.No genocide in Winnetou?

As I understand them, May's books portray a largely empty American West with a few bad ranchers, miners, and Indians who cause trouble. There's no mention of the US government's genocidal actions, Manifest Destiny, broken treaties, Trails of Tears, etc.

The first book shows you what you can expect. A good Apache tribe, mostly off-page, with made-up names and cultural traits. A bad Kiowa tribe, mostly on-page, with murderous savages. And nothing else--no mention of the hundreds of tribes that existed across the continent with a rich diversity of cultures and languages.

Again, is your movie going to change all that? Or are you going to remain faithful to the books? It can be one or the other, but it can't be both.hmm. i think that this a good point - i think we can tell the story with the same statement like "dances with wolves" "and into the west"Both those movies were flawed with stereotypes. I hope you do better than they did. And again, none of this context is in Karl May's books. Or in your write-ups of what you intend to portray.yes you are totally right but its a big thing and i think it is very difficult to make a big movie to reach a lot of people all over the world and tell it in the real perfect way for all the different requirements.You want me to rewrite your information above so it's clear you're critiquing May's flawed storytelling rather than embracing it? It may be difficult for you, but it would be easy for me. <g>Yes rob thats a good idea!!

thanks!
The discussion continues

The Story

In the book, Old Shatterhand leads a surveying party that ultimately contributes to the Indians' downfall. The book portrays him as superior to every Indian, including Winnetou. Indeed, Shatterhand is a Christ-like savior figure to the poor savages. Winnetou and his sister ultimately embrace Christianity to make them palatable to readers.

Also, portraying the Apaches as paragons of "sustainability" is somewhat misleading. They were one of the less peaceful and more warlike tribes in America. Making them tree-hugging nature lovers is almost as bad as making them murderous savages. A three-dimensional portrayal would be better.

Let us know if you're going to change or critique any of these things in your movie. Otherwise, it's likely to be as stereotypical as the book was.

This is a case where Johnny Depp has the right idea. Reinventing the Winnetou story to make the Indian clearly superior to the white man would be a good idea. Portraying Old Shatterhand as the "Sacred Bear" who comes to "protect" the Indians isn't such as good idea.Rob: I know that a german 100 years ago made some mistakes and from your sight it is not correct. But what i like in the story is that he wants to teach the people that native culture is respectful to nature and that is an honour if a white person gets a chance to know more about this wonderful culture. And of course he write some incorrect things but he tried his best and yes we will correct the wrong things

In our story the author comes to the west to look for a better life and earn some money and learn from the native culture that to be rich is not the goal...Friendship, love to nature and respectful living in harmony with people and nature is the real treasure

we only distinguish in our story between good people and bad people. no matter to which culture, race or sex they belong.
Winnetou's Apaches are phony

Karl May fabricated the Apache culture out of his imagination. And what he wrote in the prologue doesn't square with what he wrote in the book. Are you going to research the Apache culture and portray it accurately? Or are you going to repeat May's complete fabrication of it?

As far as I know, neither Old Shatterhand nor Winnetou's Apaches expressed any love of nature or respectful living in harmony in the book itself. So you're going to change May's superficial and false portrayal of Indian life? If so, good. But none of that is evident in the worshipful write-ups you posted above.

Here's the key quote from the Winnetou prologue:

"[The Indian] became through no fault of his own a slinking, lying, mistrustful, murderous redskin."

May doesn't say this happened to some Indians. He says it happened to the Indian—that is, to every Indian. The proud huntsman has become a murderous redskin.

Winnetou and his phony Apache tribe are the only exception to this rule. They're good but most Indians are bad--i.e., murderous savages. If you change this, great, but you won't be telling Karl May's story anymore. You'll be inventing a story that has little to do with the original.

Karl May didn't just make "some mistakes." He fabricated the entire history of the American West from his home in Germany. His books are one big mistake that have almost nothing to do with actual Indian cultures and history.

For my critique of the Old Shatterhand/Winnetou legend, see:

http://www.bluecorncomics.com/hitler1.htm

Good things intendedDont forget how old the story is and under what circumstances and knowledge it is written. You can be sure that we don´t put any bad things or racistical things in our story!Judging by your worship of Karl May, I'm not sure of that. In fact, I'm not sure you've heard any critiques of May or Winnetou until now. But I hope it's true that you'll make significant changes and fix the many flaws.it will be great if you send us your ideas and Critiques about the original story so that we can regard them for our story!

per mail to info@winnetoumovie.com
Okay. But most of my comments will be similar to these. I probably could write a book critiquing the book, but I don't have time for that now. Not unless someone wants to pay me for it. <g>

For starters, I'd say either get yourself some Apache consultants or create a fictional tribe instead. I think many Apaches would be insulted by seeing May's bastardization of their culture on the screen. That may have been okay in 1940 or 1950, when movie Indians were nameless, cultureless savages, but it's not okay in 2011.ok thanksFor more on the subject, see The German Obsession with Winnetou.

Below:  Guess who's really the star of the Winnetou saga? The guy on the tallest rock or the guy he's looking down on?

Winnetou:  "Thank you for saving us, Jesus Christ Great White Father Sacred Bear Aryan brother. Without you we'd be helpless before the might of Christian civilization."

Germans plan Winnetou movie

I've discussed Karl May's Winnetou before. For those who don't know the story, here it is:

WinnetouWinnetou is a fictional Native American hero of several novels written by Karl May (1842-1912, with about 200 million copies worldwide one of the best selling German writers of all time) in German, including the sequels Winnetou I through Winnetou IV.

According to Karl May's story, first-person narrator Old Shatterhand encounters Winnetou and after initial dramatic events, a true friendship between Old Shatterhand and the Apache Winnetou arises; on many occasions they give proof of great fighting skill but also of compassion for other human beings. It portrays a belief in an innate "goodness" of mankind, albeit constantly threatened by ill-intentioned enemies.

Karl May's "Winnetou" novels symbolize, to some extent, a romantic desire for a simpler life in close contact with nature. In fact, the popularity of the series is due in large part to the ability of the stories to tantalize fantasies many Europeans had and have for this more untamed environment.

May's heroes drew on archetypes of Germanic culture and had little to do with actual Native American cultures. "Winnetou is noble because he combines the highest aspects of otherwise 'decadent' Indian cultures with the natural adoption of the romantic and Christian traits of Karl May's own vision of German civilization. As he is dying, the Apache Winnetou asks some settlers to sing an Ave Maria for him, and his death is sanctified by his quiet conversion to Christianity."
The Germans made a series of Winnetou movies in the 1960s. Recently, a couple of production companies have proposed doing a new Winnetou film. This time, one hopes they'd try harder to make the movies authentic. For instance, to use Native actors rather than white Europeans in wigs.

The latest Winnetou approach

Last week, the second of these groups posted their plans on the NativeCelebs page in Facebook. They noted the changes in the industry's portrayal of Indians:We build on the original Karl May stories of 1890 and carry on where he left off. Reflecting his basic message, that the Indigenous Indian culture was based on sustainability, an advanced concept and one that is more important than ever in our current times. Through films like "Dances with Wolves" the industry developed a new era of "Cowboys and Indians" films. Far removed from the image of primitive, murderous savages, they showed a cultured race who understand nature and it's [sic] need for sustainability.A couple of bright red flags here. One, talking as if Indians were all members of a single race and culture. Two, talking as if they all respected nature and practiced sustainability equally. Three, projecting these values onto the Apache, one of the more warlike Native cultures.

Needless to say, none of this talk of nature or sustainability was in the 1890 novels. Not in the first one I read, anyway. Unless it's injected into the movie with subtlety and care, it'll stand out like a sore thumb.

The group also talked a bit about how they plan to evolve Old Shatterhand's character. Shatterhandtakes on the Apache's spiritual values, understands true friendship and discovers his inner self.As far as I recall, no one had any "spiritual values" in the first book. So they're talking about imposing a modern, almost New Age sensibility on a series of old-fashioned potboilers full of mistakes and stereotypes.

Can they do it, especially when they think all Indians belong to one touchy-feely culture? I have my doubts, but we'll see.

For more on the subject, see The German Obsession with Winnetou.

February 22, 2010

The German obsession with Winnetou

Fetishizing Native Americans

In Germany, Wild for Winnetou

By Michael Kimmelman
For decades, Germans have been obsessed with a Native American named Winnetou. Only strange thing is: he's a fictional character from books written by a German who only went to America in the last years of his life. What does this obsession say about German identity?What the Germans do:At powwows—there are dozens every year—thousands of Germans with an American Indian fetish drink firewater, wear turquoise jewelry and run around Baden-Württemberg or Schleswig-Holstein dressed as Comanches and Apaches. There are clubs, magazines, trading cards, school curriculums, stupendously popular German-made Wild West films and outdoor theaters, including one high in the sandstone cliffs above the tiny medieval fortress town of Rathen, in Saxony, where cowboys fight Indians on horseback. A fake Wild West village, Eldorado, recently shot up on the outskirts of Templin, the city where Angela Merkel, the chancellor, grew up.Right. So being an Indian in Germany is all about emulating the fierce warriors of the Plains. (Including the Southern Plains where the Apache occasionally roamed.) And nothing about learning the rich diversity and complexity of the hemisphere's thousands of Indian cultures.“May framed a popular image of North America, with Indians as a dying race, tragically killed off by fate and by the spread of a new empire,” he said. The doctor ushered me toward a painting that shows Indians ambushing an oncoming train, trains having signified Manifest Destiny. In May’s books Winnetou’s loyal sidekick, Old Shatterhand, was a German émigré, a schoolteacher who went West, became a crack shot, had a deadly right jab and, not coincidentally, got work as a surveyor for a railroad company.Is that what the doctor told you, Kimmelman? Actually, Winnetou is the sidekick to Old Shatterhand, not the other way around. In the first Winnetou book, at least.

An explanation for the Germans' fascination with Winnetou and other (Plains) Indians:Dr. Zeilinger wouldn’t go so far as to say that May demonized the United States, which clearly he didn’t, although Hans Ottomeyer, the director of the museum, who wandered by to listen in on the conversation at that point, said: “May taught Germans that America was a wild place. There were natives and intruders, and he taught us to be suspicious of intruders, half of whom are good, half are very bad.” Like all German men, Mr. Ottomeyer, who’s 61, lapsed unbidden into recollections of reading May’s books as a boy. Children read him less today, he added. “The West used to be on the border of the imagination,” he said. “Now it’s a place they see every day, full of conflict and catastrophe.”

You might say that May has become a Rorschach of German identity. German “natural sympathy” for American Indians is rooted in ancient times, Dr. Zeilinger explained. The Roman historian Tacitus described German tribes as uncorrupted, primitive, fierce and at one with nature, a people on the edge of a corrupt and voracious empire. May tapped into that primordial Germanness and also into what became, by the mid-19th century, a growing interest in America and the wider world.
Comment:  I read Winnetou, the first book in the series. It glorifies Old Shatterhand, the German hero and protagonist, more than Winnetou. Its message is that progress is inevitable, Indians have degenerated into wretches, and only a few "noble savages" are left.

Some readers may misinterpret this as a positive message, but really it's negative. Winnetou the good Indian is the exception, not the rule. By partnering with Old Shatterhand and eventually adopting Christianity, Winnetou proves that the white man's ways are best.

In Winnetou, the main villains are a tribe of "bad" Indians. So the story is about how a good white man triumphs over bad Indians with a good Indian's help. In other words, an early version of the Lone Ranger legend.

The Hitler connection

Like other Germans, Hitler loved the Winnetou books too. It sort of make sense that he'd associate Aryan Germans with "uncorrupted, primitive, fierce" Indians like Winnetou. And the rest of the Western world with "a corrupt and voracious empire" intruding on his pure German state. In his mind, Jews were undoubtedly the worst example of how civilization made people decadent and degenerate.

You have to twist things a bit to see how Hitler interpreted the books. Old Shatterhand and Winnetou both represent good Christian Aryans. The bad cowboys and Indians both represent decadent Jews and other Europeans. Old Shatterhand and Winnetou inevitably dealt defeat and death to the bad guys.

If Americans defeated the real Indians and Old Shatterhand defeated the fictional Indians, that gave Hitler a template. As a good Christian Aryan, he'd defeat the "bad Indians" (Jews and other Europeans) threatening his sanctified Germany. Hence Karl Mays' books helped Hitler envision conquest and genocide.

For more on the subject, see The Winnetou Films and Germans Think They Own Native Culture.


April 10, 2009

Indian reservation in Europe?!

The first European Indian reservation opens in CroatiaThe first European Indian reservation is to open today (Fri) in Croatia.

The reservation, called Winnetouland, is near the Plitvice Lakes in central Croatia, inside a national park.

The reservation consists of two Indian villages. The location is the site where films about Indian Chief Winnetou were shot in the 1970s.

It is expected that the reservation will become a tourist attraction. It will also feature a Winnetou museum with different objects used during filming of the once-popular movies.
Comment:  As I said to my pal Victor, wow. This should have a Moron or Stereotype Alert. Do these so-called Indians have sovereignty over their land or treaty rights with Croatia? Are they and their villages anything other than Plains Indians stereotypes from the 19th century? I doubt it.

To give these "Indians" a real taste of rez life, let's cut their healthcare and law enforcement funding in half. Let's feed them only with surplus government commodities. Let's kidnap their children and send them to boarding schools.

If you don't know Winnetou, he's a fictional 19th-century Apache chief--a "noble savage" stereotype. Basing an "Indian reservation" on him is liking basing one on Buffalo Bill's Wild West show or a Lone Ranger serial. It has little or nothing to do with real Indians.

In short, this "reservation" sounds like an amusement park or tourist trap. It sounds like an insult to all the Indians who died so their people could live on reservations.

Below:  Just like in the books, Winnetou plays second fiddle to Old Shatterhand, the Aryan superman.