What springs out immediately from the first few pages is how busy the comic book is, there is a lot going on in each panel both in terms of the artwork and the narrative structure. Each panel’s artwork has a vividness of purpose that makes it appear as if the events are moving forward of their own accord, but unfortunately this is hampered by the way Brown tells the story. Many pages are littered with numerous narrative and speech bubbles that occupy a significant amount of space on the page, cluttering the artwork and creating the impression that this is very much a comic ‘book’.
Centring on Lolla-Wossiky’s journey North to find his dream beast and escape his reliance on the whiskey of Governor Harrison, Red Prophet #2 uses Lolla-Wossiky to expand the reader’s understanding of the world and finally bring us within touching distance of Alvin. The journey itself is a beautifully drawn mixture of the peaceful green and disturbing black, balancing the problems Lolla-Wossiky suffers with the truth of his heritage. Wossiky’s missing eye is used intelligently as the main story-telling tool, seeing things in a different way and making the reader wonder whether he is a little crazy after all. Unfortunately the pacing of Red Prophet #2 has to be brought into question. Understandably some amount of time must be spent on the tale of Lolla-Wossiky, as it is central to the tale as a whole, however given the monthly release of the title, it’s lack of size and the limited length of it’s run, it seems too much of a luxury to go two issues without meeting the titular character. This second issue also feels like a setting of the stage, which, although unavoidable to a degree, is still disappointing because we’re not into the meat of the story yet.
If Jones wants less literary comics, he has about a thousand to choose from. Let's not prod this title to be like the other 999.
Also, I believe Lolla-Wossiky is the Red Prophet of the series, not Alvin Maker. So issue #2 is all about the titular character.