June 08, 2009

Vampirism in Twilight movie

In Race in Twilight Movie and Sex in Twilight Movie, I talked about those aspects of the movie. Now I'll talk about its take on vampirism.

A few reviewers noted Meyer's changes to the vampire mythos and why these changes don't work:

  • In this film, there is virtually no downside to being a vampire, except you can't eat food, and that's no great loss considering the quality of school cafeteria food. Why is this important? The romantic tension in a vampire story is caused by the fact that true love between a human and a vampire can never be expressed because of the aforementioned barriers.

  • Remove those barriers and you remove the romantic tension. The great romantic stories, like Romeo and Juliette, are powered by social barriers to love. I don't see the barriers here. This is more like a made-for-TV teen soap opera where there is so little at stake (pardon the pun) that the big romance amounts to puppy love.  (Lariat Movie Scope)

  • Complaint #4: There is nothing bad about being a vampire in this world. To be a vampire must mean you sacrifice something. The biggest sacrifice of course is the daytime, but it’s other things like not getting to be around humans that you care about and possibly watching them age and die. Yes, they’ve stuck with the immortality thing, but these vampires seem to have all the strengths without any of the weaknesses that make vampires interesting. It’s like he’s Superman, but there’s no kryptonite. Vampires without consequences = boring and literary failure.  (Buffy Lists)

  • These aren't the only problems with Twilight's vampirism.

    For starters, these vampires are almost as powerful as Superman. If most of them are evil, how do the good ones keep them in check? Why haven't the evil vampires taken over the world? They'd be almost unstoppable anywhere they'd go. A handful of them could walk into the White House or a military installation and take control.

    Since they're invincible, why do they even hide? They could easily take over a city or town. If they offered immortality to anyone who obeyed them, humans would quickly become their faithful subjects.

    The vampires wouldn't even have to convert anyone into vampires. Just the promise of immortality would convince many people to join them. Imagine how many political, corporate, and military leaders would prostrate themselves for a chance to live forever.

    The movie's action

  • [D]irector Catherine Hardwicke runs into trouble when it comes to actual business of the undead, namely the primary conflict with a trio of bad vamps, which comes across as tacked on to provide action beats that show just how ill-suited Hardwicke is to such movie mayhem.  (The Movie Report Archive)

  • Some reviewers complained about the special effects. I thought they were okay. But the action sequences don't make a whole lot of sense.

    Take the baseball game, for instance. If one vampire pitches with super-strength and speed and the other bats with super-strength and speed, it should be a wash. The pitcher should still be able to get the batter out roughly 75% of the time. But in Twilight, every pitch leads to a booming hit.

    When Rosalie hits a ball a quarter mile into the trees, Edward chases it down before she can hustle around the bases. In other words, he runs a quarter mile before she can run 360 ft. Either Rosalie didn't get the power of super-speed or the filmmakers made a mistake.

    Fleeing from James the tracker makes even less sense. When you're being pursued by the world's greatest hunter, is it wise to split your forces? How about if the Cullens hole up in their house, surround Bella, and dare James to make his move? What's he going to do...attack them one on seven?

    Conclusion

  • Twilight is a moving story that, for one reason or another, lost practically all of its charm in the conversion from paper to big screen. Despite a promising cast and some really stellar performances, particularly from Bella's father and Edward, Twilight fizzles at best and is laughable at worst. Whether it is due to shoddy screenwriting, laughable special effects, or off-color performances, I'm not sure.  (Book Examiner)

  • For more on the subject, see Quileute Werewolves in Twilight.

    2 comments:

    Anonymous said...

    Yeah, but the vampires sparkle. *starts sashaying around like this is a musical*

    Vampires do die and lose their soul, but for Bella, that's still better than aging. Seriously.

    dmarks said...

    The reference to Superman and the Kryptonians is all the more relevant when you consider this:

    A secret super-being uses strength and speed to save someone from certain death in an auto accident. The would-be victim does not completely buy the super-being's explanation that nothing out of the ordinary took place. The super-being and the would-be victim become great friends...

    This situation is common to (and very important to) both "Twilight" and the Superman-based TV show "Smallville".