Wallander--Sidetracked--2008
The first in the trilogy running on BBC1 over three Sunday nights (and then out on DVD after), Sidetracked, introduces Kurt Wallander--divorced, living alone, trying to get on with his dad and daughter--no quirky character traits like Monk or Life here--just the stuff of life, played out realistically. That's not to suggest that it's boring, or soapy--far from it--just that it's played in the realm of the real as much as possible, which is what makes it work so well (even when it's a gruesome case involving scalping, three dead men in apparently unrelated cases, and a young woman who sets herself on fire).
A series of hatchet murders involving prominent citizens follows, and it's perhaps best to ignore the high body count relative to the town's modest size, which threatens to de-populate Ystad before they finish adapting the nine books. The bottom line is that Wallander grows increasingly agitated trying to identify a common link to the killings, even as he grapples with the arrival of his grown daughter (Jeany Sparks) and a strained relationship with his aging father (the wonderful David Warner).
Wallander's colleagues barely register in the first movie, and there's little point in fretting about the particulars of the whodunit--or, for that matter, the Swedish setting, since the British cast wisely dispenses with the pretense of adopting accents, letting the striking scenery and names establish the venue.
I concur with these reviews. Wallander is an unspectacular but solid detective series--worth a look.
Let's examine the Native aspects of Sidetracked. We see the murderer sneak up on the victims and cleave their skulls with a hatchet. Investigating the crimes, Wallander discovers that the killer has removed a bit of skin and hair from each victim.
Wallander talks to a drunk old reporter who fills him in on the Native aspect:
REPORTER: Scalped? Jesus.
WALLANDER: Some bizarre kind of trophy, I suppose.
REPORTER: Maybe.
WALLANDER: Yeah.
REPORTER: Maybe not.
REPORTER: It can also be a sacrifice. Isn't that the legend? The Indian brave offers up the scalp as a gift to free another soul. A soul which has been violated.
REPORTER [lifts a glass for a toast]: The warrior. The brave.
When Wallander finally identifies the killer, he finds a closet full of trophies: scalps, deer antlers, and a statuette of an Indian "brave" shooting an arrow. As with the murders, these are shot with jerky, blurred camera movements, so you can't see the items clearly.
Wallander tracks down the killer, whose face is smeared with mud like warpaint. We learn that the killer's motivation was indeed to free his sister's soul.
Scalping a bad idea
It's always nice to see a Native theme in a movie or TV show. But even with the reporter spinning scalping as a noble act of sacrifice, it's still a one-note portrait of Indian culture. It's stereotypical because it doesn't portray Indians as much except scalpers seeking revenge.
Author Henning Mankell published the book Sidetracked in 2002, so it's not as if this is a "classic" novel from 25 or 50 years ago. By this time, there must've been dozens of stories featuring criminals or ghosts seeking revenge with a tomahawk. So Mankell's story is clichéd as well as a stereotypical, and there's not much of an excuse for that.
I guess the TV show didn't want to change the source material. But Mankell would've been better off coming up with a novel method of trophy-taking. Have the killer take a finger or an eye or something. Have him burn the body part as an act of sacrifice. Make up a psychological story about sacrifice rather than using a (possibly made up) Native story.
Oh, well. For more on the subject, see TV Shows Featuring Natives.
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