Thunderstick is a native play, but one that is changing the stereotype of what that means. "Not once do we use the term 'band office' in this play. Or dreamcatcher. It's about guys, two guys," says Cardinal. “It’s tough to get people to do native-oriented plays because they get afraid of it...or they’re afraid it’ll get too dark. There are all these thoughts or associations that come with trying to do native plays, and some people think that there’s not a lot of people who will come see it. But there are so many great native playwrights out there right now writing incredible stuff, and it deserves to be done on the bigger stages.” Audiences need to see Native people onstage more often. Cardinal recalls that when Thomson Highway's Dry Lips Oughta Move to Kapuskasing debuted in 1989, he mistook the newspaper's photo of the cast for something entirely different. "I remember opening The Globe and Mail and there was a big font page review with, like, six Indians on the front and I thought 'Oh, there's a stand-off somewhere!'" he chuckles. "Aside from being aboriginal, they're just two guys being guys together—it's probably the only play out there that ends with a bag-tag," Lauzon says.
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