Bolivian indigenous hip hop as an instrument of struggle
“The door is open to everyone. … This is our proposal for how to change society,” Bojorquez said. Though they collaborate with a wide variety of people, “we don’t just sing things like ‘I’m feeling bad, my girlfriend just left me and now I am going to get drunk.’ It’s more about trying to solve problems in society.” The social and political themes in the music come from the city’s reality. The death and conflicts in the 2003 Gas War made a huge impact on El Alto, and many of the songs reflect that.
In many of Bojorquez’s songs, Andean flutes and drums mesh with the beat. This aspect, along with the indigenous language, sets the music apart from standard hip hop. The topics covered are also distinct. In one song, they grapple with street violence and homelessness in El Alto. It deals with “children living in the street, orphans of mothers and fathers and the violence that grows every day. The lack of work, all of these things,” Bojorquez explained. “We try to show the true reality of what is happening in the country, not hide it.”
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