"Remix" includes the semiotic narratives of Bernard Williams (African American/Native Ancestry); the seemingly academic yet provocative imagery of Kent Monkman (Cree/English/Irish) in his transgender guise; an essay of stereotypes found in videogames by Alan Natachu (Zuni/Laguna) and the affectionate but confrontational portraits of Apache skateboarders by Dustinn Craig (White Mountain Apache/Navajo).
March 25, 2008
Remixing Native artists
Artists Present Challenging Views of Native AmericaThe Smithsonian's National Museum of the American Indian in New York, the George Gustav Heye Center opens "Remix: New Modernities in a Post Indian World," a spirited multimedia survey of 15 emerging Native artists June 7. A joint presentation from the museum and the Heard Museum in Phoenix, the exhibition closes Sunday, Sept. 21.
"Remix" includes the semiotic narratives of Bernard Williams (African American/Native Ancestry); the seemingly academic yet provocative imagery of Kent Monkman (Cree/English/Irish) in his transgender guise; an essay of stereotypes found in videogames by Alan Natachu (Zuni/Laguna) and the affectionate but confrontational portraits of Apache skateboarders by Dustinn Craig (White Mountain Apache/Navajo).
"Remix" includes the semiotic narratives of Bernard Williams (African American/Native Ancestry); the seemingly academic yet provocative imagery of Kent Monkman (Cree/English/Irish) in his transgender guise; an essay of stereotypes found in videogames by Alan Natachu (Zuni/Laguna) and the affectionate but confrontational portraits of Apache skateboarders by Dustinn Craig (White Mountain Apache/Navajo).
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